Written in Blood: Revolutionary Terrorism and Russian Literary Culture, 1861-1881 (Hardback)Lynn Ellen Patyk (author)
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Lynn Ellen Patyk contends that the prototype for the terrorist was the Russian writer, whose seditious word was interpreted as an audacious deed-and a violent assault on autocratic authority. The interplay and interchangeability of word and deed, Patyk argues, laid the semiotic groundwork for the symbolic act of violence at the center of revolutionary terrorism. While demonstrating how literary culture fostered the ethos, pathos, and image of the revolutionary terrorist and terrorism, she spotlights Fyodor Dostoevsky and his ""terrorism trilogy""-Crime and Punishment (1866), Demons (1870-73), and The Brothers Karamazov (1878-80)-as novels that uniquely illuminate terrorism's methods and trajectory. Deftly combining riveting historical narrative with penetrating literary analysis of major and minor works, Patyk's groundbreaking book reveals the power of the word to spawn deeds and the power of literature to usher new realities into the world.
Publisher: University of Wisconsin Press
Number of pages: 264
Dimensions: 229 x 152 x 25 mm
"Destined to find readers far beyond Slavic departments and enthusiasts of Russian literature."-Choice
"The immediacy of the threat from contemporary terrorism might make it difficult to view the phenomenon through the lens of nineteenth-century Russian literature, but Patyk makes a stimulating case that the essence of today's violence originates there."-Foreign Affairs
"That contemporary observers both inside and outside Russia turned to the nation's literature to understand the emergence of the first modern terrorist group is not surprising. But what Lynn Ellen Patyk sets out to demonstrate in her imaginative, beautifully written new book Written in Blood is less intuitive. According to her, Russian fiction not only described terrorism but presaged it, molded it, perhaps even inspired it."-Los Angeles Review of Books
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