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White Gypsies: Race and Stardom in Spanish Musicals (Hardback)
  • White Gypsies: Race and Stardom in Spanish Musicals (Hardback)
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White Gypsies: Race and Stardom in Spanish Musicals (Hardback)

(author)
£60.00
Hardback 320 Pages / Published: 24/01/2012
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Little has been written about the Spanish film musical, a genre usually associated with the early Franco dictatorship and dismissed by critics as reactionary, escapist fare. A timely and valuable corrective, White Gypsies shows how the Spanish folkloric musical films of the 1940s and \u201950s are inextricably tied to anxious concerns about race-especially, but not only, Gypsiness. Focusing on the processes of identity formation in twentieth-century Spain-with multifaceted readings of the cinematic construction of class, gender, and sexuality-Eva Woods Peir\u00f3 explores how these popular films allowed audiences to negotiate and imaginatively, at times problematically, resolve complex social contradictions. The intricate interweaving of race and modernity is particularly evident in her scrutiny of a striking popular phenomenon: how the musicals progressively whitened their stars, even as their story lines became increasingly Andalusianized and Gypsified.White Gypsies reveals how these imaginary individuals constituted a veritable cultural barometer of how racial thinking was projected and understood across a broad swath of popular Spanish cinema.

Publisher: University of Minnesota Press
ISBN: 9780816645848
Number of pages: 320
Dimensions: 216 x 140 x 25 mm


MEDIA REVIEWS

"White Gypsies enriches our understanding of the material history of the pre-, post-, and civil war periods, broadens Spanish cinema studies to focus on more popular forms of film entertainment, and combines a novel attention to race with nuanced readings of the intersections of the cinematographic construction of class, gender, and sexuality during the first half of the twentieth century." -Susan Martin-Marquez, Rutgers University


"Eva Woods Peiro argues that Spanish musicals, while highly ambivalent and problematic in terms of their representation of race, are not reactionary exaltations of a premodern rural Spain but that their central notion of female stardom inserts women into modernity. This crucial perception turns interpretations of the genre on its head." -Jo Labanyi, New York University

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