Visions and Re-Visions: (Re)constructing Science Fiction - Liverpool Science Fiction Texts & Studies 32 (Hardback)
  • Visions and Re-Visions: (Re)constructing Science Fiction - Liverpool Science Fiction Texts & Studies 32 (Hardback)
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Visions and Re-Visions: (Re)constructing Science Fiction - Liverpool Science Fiction Texts & Studies 32 (Hardback)

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£80.00
Hardback 416 Pages / Published: 01/10/2005
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Renowned science fiction scholar Robert M. Philmus offers in Visions and Revisions a fresh and provocative literary analysis of science fiction writing. He critically examines the works of some of the most prominent writers to have written in the genre-including Evgeny Zamiatin, Karel Capek, Jorge Luis Borges, Italo Calvino, and Stanislaw Lem, along with English-language authors from H.G. Wells to Ursula Le Guin-and reveals how their works illustrate the fundamental elements of science fiction writing. The former editor of Science Fiction Studies, Philmus casts his expert eye on a diverse range of short stories and novels by the premier arbiters of the craft, with close readings that draw upon the theories of New Criticism as well as post-Modern. Featuring essays such as "Stanislaw Lem's Futurological Congress as a Metageneric Text," "Kurt Vonnegut: Historiographer of the Absurd: The Sirens of Titan," "Ursula K. Le Guin and Time's Dispossession," and "Time Out of Joint: The World(s) of Philip K. Dick's The Man in the High Castle," the volume provides an in-depth textual examination that reveals why science fiction is a "revisionary genre." Visions and Revisions will be of immense value to scholars of literature and science fiction studies.

Publisher: Liverpool University Press
ISBN: 9780853238997
Number of pages: 416
Weight: 800 g
Dimensions: 239 x 163 x 29 mm


MEDIA REVIEWS
Philmus succeeds in illuminating every work he discusses . . . The result is . . . some of the best close readings of SF texts that I have seen in a long time, but also a sustained contribution to the theory of genre and to the theory of literature itself.

Carl Freedman

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