In Virginia Woolf and the Visible World, Emily Dalgarno examines Woolf's engagement with notions of the subject and codes of the visible. Dalgarno examines how Woolf's writing engages with visible and non-visible realms of experience, and draws on ideas from the diverse fields of psychoanalytic theory, classical Greek tragedy, astronomy, photography and photojournalism. The solar eclipse of 1927 marks a dividing line in Woolf's career, after which she portrayed the visible world in terms of light, and shifted her interest from painting to photography. Dalgarno offers textual analyses of Woolf's individual works, including To the Lighthouse, The Waves and Three Guineas, arguing for the importance of her ongoing interest in Greek translation. In later chapters, she explores the theory of the subject that emerges from Woolf's representation of the visible in her autobiography.
Publisher: Cambridge University Press
Number of pages: 232
Weight: 510 g
Dimensions: 229 x 17 x 152 mm
'A challenging and thought-provoking book.' Virginia Woolf Bulletin
"[A] fascinating study...Anyone thinking seriously about Woolf and modernism will find Dalgarno's ideas stimulating." Woolf Studies Annual
"valuable for faculty teaching Virginia Woolf." CHOICE Nov 2001