Tropic Tendencies: Rhetoric, Popular Culture, and the Anglophone Caribbean - Pittsburgh Series in Composition, Literacy, and Culture (Paperback)Kevin Adonis Browne (author)
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Browne bases his study on the concept of the "Caribbean carnivalesque" as the formative ethos driving cultural and rhetorical production in the region and beyond it. He finds that carnivalesque discourse operates as a "continuum of discursive substantiation" that increases the probability of achieving desired outcomes for both the rhetor and the audience. Browne also views the symbolic and material interplay of the masque and its widespread use to amplify efforts of resistance, assertion, and liberation.
Browne analyses rhetorical modes and strategies in a variety of forms, including music, dance, folklore, performance, sermons, fiction, poetry, photography, and digital media. He introduces chantwells, calypsonians, old talkers, jamettes, stickfighters, badjohns, and others as exemplary purveyors of Caribbean rhetoric and deconstructs their rhetorical displays. From novels by Earl Lovelace, he also extracts thematic references to kalinda, limbo, and dragon dances that demonstrate the author's claim of an active vernacular sensibility. He then investigates the re-creation and reinvention of the carnivalesque in cyber culture, demonstrating the ways participants both flaunt and defy normative ideas of "Caribbeanness" in online and macro environments.
Publisher: University of Pittsburgh Press
Number of pages: 264
Weight: 363 g
Dimensions: 229 x 152 x 18 mm
"Browne's excellent contribution to cultural studies in the Anglophone Caribbean is grounded in a rhetorical praxis that ranges over several expressive forms, including poetry, masquerade, music, folklore, fiction, and digital media. The compelling analysis is impressive both in coverage and insight."
--Glyne A. Griffith, University at Albany, State University of New York
"Browne's Tropic Tendencies is a groundbreaking study, and a necessary one. He provides a nuanced and distinct analysis of Caribbeans and their rhetoric with his careful exploration of the origins and contemporary meanings of the strategies and forms used to activate and display the complexities of Caribbean consciousness. Browne's thought-provoking theory of the Caribbean Carnivalesque--itself a prime example of the rhetorical creolization present in the many performances he observes--blends classical and contemporary vernacular traditions to articulate an ethos that is distinctly Caribbean."
--Elaine Richardson, The Ohio State University