The Vanishing: Shakespeare, the Subject, and Early Modern Culture (Hardback)Christopher Pye (author)
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Pye explores the emergence of the early modern subject in terms of a range of subjectivizing mechanisms tied to the birth of a modern conception of history, one that is structured around a spatial and temporal horizon-a vanishing point. He also discusses the distinctly economic character of early modern subjectivity and how this, too, is implicated in our own modern modes of historical understanding. After explaining how the aims of New Historicist and Foucauldian approaches to the Renaissance are inseparably linked to such a historical conception, Pye demonstrates how the early modern subject can be understood in terms of a Lacanian and Zizekian account of the emerging social sphere. By focusing on the Renaissance as a period of remarkable artistic and cultural production, he is able to illustrate his points with discussions of a number of uniquely fascinating topics-for instance, how demonism was intimately related to a significant shift in law and symbolic order and how there existed at the time a "demonic" preoccupation with certain erotic dimensions of the emergent social subject.
Highly sophisticated and elegantly crafted, The Vanishing will be of interest to students of Shakespeare and early modern culture, Renaissance visual art, and cultural and psychoanalytic theory.
Publisher: Duke University Press
Number of pages: 216
Weight: 454 g
Dimensions: 236 x 162 x 21 mm
"Pye moves with great concision, delivering dazzling insights and startling conjunctions. The Vanishing thus makes an important intervention in early modern studies, recalling the promise of `theory' to advance our understanding of questions of history and representation."-Jonathan Goldberg, author of Desiring Women Writing: English Renaissance Examples