Credited with introducing the vampire to British popular culture, Polidori’s gothic novel dates from the same era as Mary Shelley’s Frankenstein and shares much of its heightened realism and crepuscular atmosphere. This edition also includes numerous other short works of pioneering horror from a variety of period authors, resulting in a darkly fascinating glance at the origins of the vampire genre.
`Upon her neck and breast was blood, and upon her throat were the marks of teeth having opened the vein: - to this the men pointed, crying, simultaneously struck with horror, "a Vampyre, a Vampyre!"'
John Polidori's classic tale of the vampyre was a product of the same ghost-story competition that produced Mary Shelley's Frankenstein. Set in Italy, Greece, and London, Polidori's tales is a reaction to the dominating presence of his employer Lord Byron, and transformed the figure of the vampire from the bestial ghoul of earlier mythologies into the glamorous aristocrat whose violence and sexual allure make him literally a 'lady-killer'. Polidori's tale introduced the vampire into English fiction, and launched a vampire craze that has never subsided. `The Vampyre' was first published in 1819 in the London New Monthly Magazine. The present volume selects thirteen other tales of the macabre first published in the leading London and Dublin magazines between 1819 and 1838, including Edward Bulwer's chilling account of the doppelganger, Letitia Landon's elegant reworking of the Gothic romance, William Carleton's terrifying description of an actual lynching, and James Hogg's ghoulish exploitation of the cholera epidemic of 1831-2.
Publisher: Oxford University Press
ISBN: 9780199552412
Number of pages: 320
Weight: 225 g
Dimensions: 195 x 129 x 16 mm
I enjoyed the collection very much, and recommend it as a good mix of stories that are a little different from the norm. - FictionFan
Moving effortlessly from folklore to melodrama, the Introduction assesses the position that Polidori's story . . . We may not be ableto recover the experience of the origianl readers, but we can be grateful to the editors for bringing back to life tales that are not only of academic interest but which still exert their own nightmarish fascination - Studies in Hogg and his World
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