The Ruling Passion: British Colonial Allegory and the Paradox of Homosexual Desire (Hardback)
  • The Ruling Passion: British Colonial Allegory and the Paradox of Homosexual Desire (Hardback)
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The Ruling Passion: British Colonial Allegory and the Paradox of Homosexual Desire (Hardback)

(author)
£90.00
Hardback 344 Pages / Published: 29/09/1995
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In The Ruling Passion, Christopher Lane examines the relationship between masculinity, homosexual desire, and empire in British colonialist and imperialist fictions at the turn of the twentieth century. Questioning the popular assumption that Britain's empire functioned with symbolic efficiency on sublimated desire, this book presents a counterhistory of the empire's many layers of conflict and ambivalence.
Through attentive readings of sexual and political allegory in the work of Kipling, Forster, James, Beerbohm, Firbank, and others-and deft use of psychoanalytic theory-The Ruling Passion interprets turbulent scenes of masculine identification and pleasure, power and mastery, intimacy and antagonism. By foregrounding the shattering effects of male homosexuality and interracial desire, and by insisting on the centrality of unconscious fantasy and the death drive, The Ruling Passion examines the startling recurrence of colonial failure in narratives of symbolic doubt and ontological crisis. Lane argues compellingly that Britain can progress culturally and politically only when it has relinquished its residual fantasies of global mastery.

Publisher: Duke University Press
ISBN: 9780822316770
Number of pages: 344


MEDIA REVIEWS
"Lane's readings are carried out at a considerably higher level of intellectual sophistication than one finds in most recent work that has dealt with issues of masculinity in imperialist and colonialist fictions."-Michael Moon, Duke University
"Lane's work displays a quite astonishing intellect. The Ruling Passion is expertly researched, demonstrates an authoritative command of theoretical knowledge, and advances our understanding of the complexities involved in representing cross-cultural and cross-class homosocial and homosexual desire. It is a highly original work of considerable academic stature in the rapidly developing field of gay male cultural criticism."-Joseph Bristow, University of York

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