Thinking Its Presence: Form, Race, and Subjectivity in Contemporary Asian American Poetry - Asian America (Hardback)Dorothy J. Wang (author)
- We can order this
When will American poetry and poetics stop viewing poetry by racialized persons as a secondary subject within the field? Dorothy J. Wang makes an impassioned case that now is the time. Thinking Its Presence calls for a radical rethinking of how American poetry is being read today, offering its own reading as a roadmap.
While focusing on the work of five contemporary Asian American poets-Li-Young Lee, Marilyn Chin, John Yau, Mei-mei Berssenbrugge, and Pamela Lu-the book contends that aesthetic forms are inseparable from social, political, and historical contexts in the writing and reception of all poetry. Wang questions the tendency of critics and academics alike to occlude the role of race in their discussions of the American poetic tradition and casts a harsh light on the double standard they apply in reading poems by poets who are racial minorities. This is the first sustained study of the formal properties in Asian American poetry across a range of aesthetic styles, from traditional lyric to avant-garde. Wang argues with conviction that critics should read minority poetry with the same attention to language and form that they bring to their analyses of writing by white poets.
Publisher: Stanford University Press
Number of pages: 416
Weight: 590 g
Dimensions: 216 x 140 x 28 mm
"[A] powerful challenge to conventional ways of thinking (or not thinking) about race and poetry." -- Ben Lerner The Books We Loved In 2016 * The New Yorker *
"Dorothy Wang provides an extraordinarily rich reading of minority discourse among experimental Asian American writers. In this theoretically sophisticated study, Wang reads identity as a function of specific linguistic, rhetorical practices that force us to re-think normative attitudes towards racial formations. Rather than discover 'Asianness' through thematic content, Wang studies ethnic identity in linguistic deformations, rhetorical figures, and idioms, which bear the weight of historical marginalization and silencing. It is a brilliant effort, theoretically sophisticated yet grounded in focused readings of individual works." -- Michael Davidson * University of California, San Diego *
"The tendency not to address the formal properties of Asian American poetry-not to take it seriouslyas poetry, in Dorothy Wang's trenchant words-is rigorously corrected in her readings of John Yau, Mei-mei Berssenbrugge, and others. This corrective is augmented by a theoretical assertion that demands that mainstream poetry be taken seriously as a record of the complexities of racial formation, and the racialized formation of personal and poetic identity, in the United States. Wang forcefully demands that we become better readers while carefully and generously showing us how to do just that." -- Fred Moten * Duke University *
You may also be interested in...
Please sign in to write a review