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The Operatic and the Everyday in Postwar Italian Film Melodrama (Paperback)
  • The Operatic and the Everyday in Postwar Italian Film Melodrama (Paperback)
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The Operatic and the Everyday in Postwar Italian Film Melodrama (Paperback)

(author)
£24.99
Paperback 240 Pages / Published: 17/03/2015
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Melodrama - the key cinematic form of post war Italy, central to popular life and the dramatic arts. Italian cinemas after the war were filled by audiences who had come to watch domestically produced films of passion and pathos. These highly emotional and consciously theatrical melodramas posed moral questions with stylish flair, redefining popular ways of feeling about romance, family, gender, class, Catholicism, Italy, and feeling itself. The Operatic and the Everyday in Postwar Italian Film Melodrama argues for the centrality of melodrama to Italian culture. It uncovers a wealth of films rarely discussed before including family melodramas, the crime stories of neorealismo popolare and opera films, and provides interpretive frameworks that position them in wider debates on aesthetics and society. The book also considers the well established topics of realism and arthouse auteurism, and re thinks film history by investigating the presence of melodrama in neorealism and post war modernism. It places film within its broader cultural context to trace the connections of canonical melodramatists like Visconti and Matarazzo to traditions of opera, the musical theatre of the sceneggiata, visual arts, and magazines. In so doing it seeks to capture the artistry and emotional experiences found within a truly popular form. It connects less established areas of research such as popular neorealism to more well known subjects such as domestic melodrama; provides an analysis of 'cineopera' or opera film; pioneers the area of popular Italian cinema and contributes to both Italian Studies and Film Studies.

Publisher: Edinburgh University Press
ISBN: 9781474402866
Number of pages: 240
Weight: 371 g
Dimensions: 234 x 156 x 18 mm


MEDIA REVIEWS

Finally, an excellent example of a cultural history of film! Louis Bayman very convincingly connects the tears of cinematographic melodrama and its body and lifeblood to the neorealist corpus. He reveals roots, bonds and kinships that have never before been so well illuminated between the great 19th-century tradition of opera, popular literature and theatre and with the contemporary popular cultural forms of the foto- and cineromanzo.' -- Gian Piero Brunetta, University of Padova




'Finally, an excellent example of a cultural history of film! Louis Bayman very convincingly connects the tears of cinematographic melodrama and its body and lifeblood to the neorealist corpus. He reveals roots, bonds and kinships that have never before been so well illuminated between the great 19th-century tradition of opera, popular literature and theatre and with the contemporary popular cultural forms of the foto- and cineromanzo.'
- Gian Piero Brunetta, University of Padova


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