The Night Guest (Hardback)Fiona McFarlane (author)
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In an isolated house on the New South Wales coast, Ruth - a widow whose sons work abroad - lives alone. Until one day a stranger bowls up, announcing that she's been sent by the authorities to be Ruth's carer.
At first, Ruth is happy to have the company. Frida is efficient and helpful, and willing to listen to Ruth's stories about her childhood in Fiji and the man she fell for there. But why does Ruth hear a tiger prowling through the house at night? How far can Ruth trust this enigmatic woman? And how far can she trust herself?
This hypnotic tale soars above its own suspense to tell us, with exceptional grace and beauty, about ageing, love, dependence, fear and power, and about the mysterious workings of the mind. Here is a dazzling new writer, reminding us how powerfully fiction can speak to our innermost secrets.
Publisher: Hodder & Stoughton General Division
Number of pages: 288
Weight: 516 g
Dimensions: 239 x 157 x 27 mm
McFarlane deploys her unreliable narrator skilfully, confining the reader to Ruth's increasingly bewildered consciousness while heightening the menacing threat posed by Frida. Horribly believable, The Night Guest is an impressive debut novel that sustains the tense unravelling of its mystery. * The Sunday Times *
A sensitive exploration of the workings of time and memory, by turns joyful and sad, and sustained throughout by clear and delicate prose . . . Ruth's viewpoint delivers tremendous insight and empathy . . . The Night Guest is a wonderfully evoked portrait of old age that disturbs and elevates in equal measure. The symbolic tiger, frightening, untameable, but awe-inspiring, is an important aspect of its power. -- Rachel Hore * Independent on Sunday *
This psychological thriller feels uneasily close to the realities many families face . . . What's real and what's imagined are terrifyingly difficult to distinguish. It's surreal and menacing. -- Fiona Wilson * The Times *
McFarlane exploits the vulnerably blurry boundaries of memory here to create a subtle and beguiling crescendo of suspense. Facts shift like the dunes beyond the back door. A limpid, beautiful novel. -- Victoria Moore * Daily Mail *
Fiona McFarlane's debut novel is a conundrum for the reviewer - a book with a plot which, when summarised, suggests little of its charm, wit, and suspenseful energy . . . this is a witty, poetic psychological thriller in which the reader becomes so firmly embedded in Ruth's mind that one cannot help but sympathise with her confusion . . . The question of Frida's integrity, or lack of it, gives the book its narrative edge; but its joy comes from McFarlane's language, which perfectly captures Ruth's old-fashioned, gently rebellious spirit, and the almost enjoyable onset of vagueness . . . This is a very moving description of old age -- Emily Stokes * Financial Times *
How much torment can you bear before you put a novel down? For a reader unsure of the thickness of their skin, Fiona McFarlane's promising debut may provide the answer to the millimetre. * Literary Review *
Be prepared: on the day you sit down to read this book, you will become an antisocial, distressed and confused person. You will probably utter no words all day but a whispered "Oh God" when you finish each chapter and have to, but have to, go straight on to the next, neglecting your life, your family, your bills, your work, your washing. How dare a 35-year-old author from Sydney be such a super writer - the kind of writer who half-makes you think "I could write a novel like that", because it seems so effortless, but half-makes you think "I might as well give up writing right now", because it's so good? * Country Life *
A powerfully distinctive narrative about identity and memory, the weight of life and the approach of death . . . Frida is a fantastic creation; and her relationship with Ruth, a messy combination of big lies and small, important truths in which the power dynamic shifts by the second, is touching and terrifying by turns . . . The achievement of McFarlane's book is to demonstrate with such clarity and measured compassion that the mind, in the end, is where all tigers live. -- Justine Jordan * Guardian *
'[An] intense debut novel about ageing, loneliness and menace . . . McFarlane wrote this after witnessing both grandmothers' dementia. In the beautifully realised, complex character of Ruth she has paid fitting tribute. -- Catherine Taylor * Sunday Telegraph *
The Night Guest is a battle to preserve internal order and civility from the madness and barbarity lurking outside . . . McFarlane beautifully captures the protracted loss of Ruth's faculties, one day at a time, like the tide eroding the shore -- Philip Maughan * New Statesman *
Fiona McFarlane's stunning debut is beautifully written and psychologically tense. The Night Guest elegantly explores the themes of loss and loneliness, the physical burdens of old age and mental frailty . . . there is an inescapable sense of unease, of things careening out of control as Ruth happily allows her independence to be deliciously undermined . . . [An] extraordinarily accomplished debut. -- Eithne Farry * Sunday Express *
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Ruth is a lonely widow, who sees tigers in the night, prowling around her house. However, this is not Africa, but suburban New South Wales in Australia! This is not her only visitor.
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