Herbert Howells (1892-1983) was a prodigiously gifted musician and the favourite student of the notoriously hard-to-please Sir Charles Villiers Stanford. Throughout his long life, he was one of the country's most prominent composers, writing extensively in all genres except the symphony and opera. Yet today he is known mostly for his church music, and there is as yet relatively little serious study of his work. This book is the first large-scale study of Howells's music, affording both detailed consideration of individual works and a broad survey of general characteristics and issues. Its coverage is wide-ranging, addressing all aspects of the composer's prolific output and probing many of the issues that it raises. The essays are gathered in five sections: Howells the Stylist examines one of the most striking aspect of the composer's music, its strongly characterised personal voice; Howells the Vocal Composer addresses both his well-known contribution to church music and his less familiar, but also important, contribution to the genre of solo song; Howells the Instrumental Composer shows that he was no less accomplished for his work in genres without words, for which, in fact, he first made his name; Howells the Modern considers the composer's rather overlooked contribution to the development of a modern voice for British music; and Howells in Mourning explores the important impact of his son's death on his life and work. The composer that emerges from these studies is a complex figure: technically fluent but prone to revision and self-doubt; innovative but also conservative; a composer with an improvisational sense of flow who had a firm grasp of musical form; an exponent of British musical style who owed as much to continental influence as to his national heritage. This volume, comprising a collection of outstanding essays by established writers and emergent scholars, opens up the range of Howells's achievement to a wider audience, both professional and amateur. PHILLIP COOKE is Lecturer in Composition at the University of Aberdeen. DAVID MAW is Tutor and Research Fellow in Music at Oriel College, Oxford, holding Lectureships also at Christ Church, The Queen's and Trinity Colleges. CONTRIBUTORS: Byron Adams, Paul Andrews, Graham Barber, Jonathan Clinch, Phillip A. Cooke, Jeremy Dibble, Lewis Foreman, Fabian Huss, David Maw, Diane Nolan Cooke, Lionel Pike, Paul Spicer, Jonathan White. Foreword by John Rutter.
Publisher: Boydell & Brewer Ltd
Number of pages: 382
Weight: 834 g
Dimensions: 234 x 156 x 25 mm
A major advance towards a fuller and more balanced understanding of the composer. THE JOURNAL OF THE ROYAL MUSICAL ASSOCIATION Superb and highly welcome addition to the literature on Howells ... goes a very considerable way towards demonstrating that this neglect is indeed highly unjust ... Unprecedented insight into both known and unfairly neglected corners of his oeuvre and should be keenly sought by anyone with an interest in his work and English music in the twentieth century. CHOMBEC News Now we can all appreciate these works afresh, with the useful and pertinent insights afforded by this welcome volume. INTERNATIONAL PIANO Eye opening dimensions ... fascinating ... Above all, this collection of essays emphasises purely and simply what a sophisticated and accomplished composer he was - headed up by a cameo of a foreword in which Howells enthusiast John Rutter expertly and engagingly sets the scene. CLASSICAL MUSIC, December 2013 The first large-scale and in-depth survey of his music ... Phillip A. Cooke and David Maw have curated and contributed to an excellent resource for anyone who wants to understand fully Howells's contribution to his musical landscape. TIMES LITERARY SUPPLEMENT, February 2014
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