In June 2014, Abu Bakr al-Baghdadi declared an Islamic State in Iraq and Syria and called for Muslims around the world to migrate there. Over the next five years, around 150 women left the UK to heed this invitation, and the so- called 'jihadi brides' were rarely out of the news. This book traces the media fascination with those who joined the ‘caliphate’, including Sally Jones, Aqsa Mahmood and Shamima Begum.
Through an analysis of the media that presented the 'brides' for public consumption, Leonie B. Jackson reveals the gendered dualistic construction of IS women as either monstrous or vulnerable. Just as the monstrous woman was sensationalised as irredeemably evil, the vulnerable girl was represented as groomed and naïve. Both subjects were constructed in such a way that women’s involvement in jihadism was detached from men’s, scrutinised more closely, and explained through gender stereotypes that both erased the agency of female extremists and neglected their stated motivations.
As Jackson demonstrates, these media representations also contributed to the development of new norms for dealing with the ‘brides’, including targeted killing and the revocation of citizenship. While the vulnerable girl was potentially redeemable, the monstrous woman was increasingly considered expendable.
Publisher: C Hurst & Co Publishers Ltd
Dimensions: 216 x 138 mm
'Apart from the apparent value of this study for researchers of media and socio-linguistics, researchers focusing on anti-Muslim racism will significantly benefit from the book as it connects to a more extensive understanding of how Muslim women are portrayed today in gendered and racialized terms.'
'An impressive, well-written analysis, making a compelling and original argument. Jackson's insights are spot on, and she distills them exceptionally well, showing the power of discourse, metaphor and narrative.'
'Few studies have examined how western narratives about jihadism are gendered. Jackson offers a novel and penetrating analysis of "jihadi brides" as abject, dehumanised media tropes. A timely, illuminating, and much-needed critical intervention into an otherwise sensationalised phenomenon.'
'This insightful work is a must-read for anybody interested in how gendered and racialised narratives construct British women jihadis as "jihadi brides". With counterterrorism norms and practices shaped by these interpretations, Jackson's study has deep political implications.'
'A prescient analysis of the discourse on "jihadi brides", which has had significant implications for how these women are seen, understood and ultimately treated—by society in general, and in the framing of conflict against the Islamic State in particular.'
'An authoritative deconstruction of the transgressive figure of the "jihadi bride". Jackson exposes the gendered stereotypes and narratives of politically violent women, and invites the reader to reflect upon normalised constructions of "good womanhood". Timely, engaging, and superbly written.'
'Nothing like this exists: an in-depth examination of the framing of "jihadi brides", and of the ways that these framings influence our understanding of women in relation to political violence. A significant contribution.'