The second book in the new Penguin Maigret series: Georges Simenon's devastating tale of misfortune, betrayal and the weakness of family ties, in a new translation by Anthea Bell.
Instead of the detail filling itself in and becoming clearer, it seemed to escape him. The face of the man in the ill-fitting coat just misted up so that it hardly looked human. In theory this mental portrait was good enough, but now it was replaced by fleeting images which should have added up to one and the same man but which refused to get themselves into focus.
The circumstances of Monsieur Gallet's death all seem fake: the name the deceased was travelling under and his presumed profession, and more worryingly, his family's grief. Their haughtiness seems to hide ambiguous feelings about the hapless man. In this haunting story, Maigret discovers the appalling truth and the real crime hidden behind the surface of lies.
Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in previous translations as Maigret Stonewalled and The Death of Monsieur Gallet.
'Compelling, remorseless, brilliant' John Gray
'One of the greatest writers of the twentieth century' Guardian
'A supreme writer . . . unforgettable vividness' Independent
Publisher: Penguin Books Ltd
Number of pages: 176
Weight: 134 g
Dimensions: 198 x 129 x 10 mm
"One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories." -The Guardian
"These Maigret books are as timeless as Paris itself." -The Washington Post
"Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals." -People
"I love reading Simenon. He makes me think of Chekhov." -William Faulkner
"The greatest of all, the most genuine novelist we have had in literature." -Andre Gide
"A supreme writer . . . Unforgettable vividness." -The Independent (London)
"Superb . . . The most addictive of writers . . . A unique teller of tales." -The Observer (London)
"Compelling, remorseless, brilliant." -John Gray
"A truly wonderful writer . . . Marvelously readable-lucid, simple, absolutely in tune with the world he creates." -Muriel Spark
"A novelist who entered his fictional world as if he were a part of it."lle -Peter Ackroyd
"Extraordinary masterpieces of the twentieth century." -John Banville
"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" Times (London)
"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." Margaret Atwood
"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." Financial Times
"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell The Sunday Times (London)
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