The Icon Project: Architecture, Cities, and Capitalist Globalization (Hardback)
  • The Icon Project: Architecture, Cities, and Capitalist Globalization (Hardback)
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The Icon Project: Architecture, Cities, and Capitalist Globalization (Hardback)

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£26.49
Hardback 352 Pages / Published: 20/04/2017
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In the last quarter century, a new form of iconic architecture has appeared throughout the world's major cities. Typically designed by globe-trotting "starchitects" or by a few large transnational architectural firms, these projects are almost always funded by the private sector in the service of private interests. Whereas in the past monumental architecture often had a strong public component, the urban ziggurats of today are emblems and conduits of capitalist globalization. In The Icon Project, Leslie Sklair focuses on ways in which capitalist globalization is produced and represented all over the world, especially in globalizing cities. Sklair traces how the iconic buildings of our era - elaborate shopping malls, spectacular museums, and vast urban megaprojects - constitute the triumphal "Icon Project" of contemporary global capitalism, promoting increasing inequality and hyperconsumerism. Two of the most significant strains of iconic architecture - unique icons recognized as works of art, designed by the likes of Gehry, Foster, Koolhaas, and Hadid, as well as successful, derivative icons that copy elements of the starchitects' work - speak to the centrality of hyperconsumerism within contemporary capitalism. Along with explaining how the architecture industry organizes the social production and marketing of iconic structures, he also shows how corporations increasingly dominate the built environment and promote the trend towards globalizing, consumerist cities. The Icon Project, Sklair argues, is a weapon in the struggle to solidify capitalist hegemony as well as reinforce transnational capitalist control of where we live, what we consume, and how we think.

Publisher: Oxford University Press Inc
ISBN: 9780190464189
Number of pages: 352
Weight: 636 g
Dimensions: 240 x 179 x 28 mm


MEDIA REVIEWS
Leslie Sklair has produced an elegantly written, wide-ranging exploration of that over-used and under-examined totem of our times, the icon. The Icon Project deconstructs the seductive image of power that rises from the uneasy depths of transnational capitalism and global consumer culture to symbolize both modern desire and social control - this is a masterful work of political-economic critique and architectural analysis. * Sharon Zukin, author of Naked City: The Death and Life of Authentic Urban Places *
This book ought to be required reading for my generation. A great tough survey - crucially from outside the architectural world - which manages to show us the huge shiny, lumpen shape of the transnational development Utopia we've come to accept as inevitable. Most of all, it shows just how even the best architects and architecture have become 'enthusiastic partners' in the global project of turning the whole way we treat the world into a form of development opportunity and corporate entertainment. A gripping read, as well as a very, very scary one. There's never been a bigger need for architects to use all their other skills to think about how to design us out of this place. * Kester Rattenbury, Professor of Architecture, University of Westminster *
In this masterfully sweeping survey of the leading architects of our times ... Sklair dares to situate the undisputed creativity and genius of distinguished architectural icons in the context of capitalist dynamics that sustain and privilege the demand for ever more wildly ambitious designs. With a sociologist's understanding of power and the commercial requisites associated with globalization, a comparative-historical appreciation for developmental context, and an activist's social sensibilities clearly on his mind, Leslie Sklair reveals the utopian and dystopian elements of modern design practice. Readers may not fully agree with all his stringent critiques, but they will embrace his search for an alternative aesthetics of urban design and city-building, even as they continue to ponder how individual virtuoso can be disassociated from the larger consumption dynamics that brand architectural projects as iconic. * Diane E. Davis, Harvard Graduate School of Design *
Leslie Sklair's sociological perspective on iconic architecture surveys conditions under which it has emerged and the social and political demands to which it responds. This is a deeply informative account and at times a cautionary tale. * Denise Scott Brown, VSB Architects *

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