The Good People (Paperback)Hannah Kent (author)
- 5+ in stock
Pulling his coat over the both of them, she closed her eyes and her lungs emptied of air. Pain descended with the weight of water and she felt that she was drowning. Her chest shuddered, and she was crying into her husband’s collarbone, into his clothes reeking of the earth and cow shit and the soft sweet smell of the valley air and all the turf smoke it carried on an autumn evening. She cried like a pining dog, with the strained, strung whimper of abandonment.
Sometimes all that protects us from our fear of what is unknown is our belief in that which is unproven.
County Kerry, Ireland, 1825.
Nora, bereft after the sudden death of her beloved husband and daughter, finds herself alone and caring for her young grandson Micheal. Micheal cannot speak and cannot walk and Nora is desperate to know what is wrong with him. What happened to the healthy, happy grandson she met when her daughter was still alive?
Mary arrives in the valley to help Nora just as the whispers are spreading: the stories of unexplained misfortunes, of illnesses, and the rumours that Micheal is a changeling child who is bringing bad luck to the valley.
Nance's knowledge keeps her apart. To the new priest, she is a threat, but to the valley people she is a wanderer, a healer and the only person who knows how to keep the malevolent influences of the good people at bay. Nance knows how to use the plants and berries of the woodland; she understands the magic in the old ways and she might be able to help Micheal.
As these three women are drawn together in the hope of restoring Micheal, their world of folklore and belief, of ritual and stories, tightens around them. It will lead them down a dangerous path, and force them to question everything they have ever known.
Based on true events and set in a lost world bound by its own laws, The Good People is Hannah Kent's startling new novel about absolute belief and devoted love. Terrifying, thrilling and moving in equal measure, this long-awaited follow-up the Waterstones’ championed debut Burial Rites shows an author at the height of her powers, living up to a reputation for creating dark, immersive and subtly affecting fictional worlds.
‘Kent has a terrific feel for the language of her setting… This is a serious and compelling novel about how those in desperate circumstances cling to ritual as a bulwark against their own powerlessness.’ – Graeme Macrae Burnet (author of His Bloody Project),The Guardian
Publisher: Pan Macmillan
Number of pages: 400
Weight: 274 g
Dimensions: 197 x 130 x 25 mm
Lyrical and unsettling . . . A literary novel with the pace and tension of a thriller . . . I am in awe of Kent's gifts as a storyteller. -- Paula Hawkins, bestselling author of The Girl on the Train
An imaginative tour-de-force that recreates a way of perceiving the world with extraordinary vividness . . . With its exquisite prose, this harrowing, haunting narrative of love and suffering is sure to be a prize-winner * Daily Mail *
Kent has a terrific feel for the language of her setting. The prose is richly textured with evocative vocabulary . . . A serious and compelling novel about how those in desperate circumstances cling to ritual as a bulwark against their own powerlessness -- Graeme Macrae Burnet * Guardian *
Hannah Kent's second novel is a thorough study of the faiths and rituals of a rural community, as well as a poignant portrayal of grief * Financial Times *
The Good People lies somewhere between Andrew Michael Hurley's gothic The Loney and Emma Donoghue's The Wonder . . . an absorbing and imaginative novel about superstition and the old ways * The Times *
A thoroughly engrossing entree into the macabre nature of a vanished society, its virtues and its follies and its lethal impulses . . . utterly unexpected -- Thomas Keneally, Booker Prize-author of Schindler's Ark
Beautiful . . . the setting and the characters drew me in immediately and kept me completely absorbed -- Claire King, author of The Night Rainbow
An immersive, startlingly lyrical portrait of a time when the borders between logic and superstition were dangerously porous . . . thrillingly alive * Metro *
Remarkable . . . Kent displays an uncanny ability to immerse herself in an unfamiliar landscape and to give that landscape a life - a voice - that is utterly convincing . . . a haunting novel, shrewdly conceived and beautifully written * The Australian *
A sensitively drawn tale of love, grief, and terrible loss * The Age *
The Good People is a sensitively drawn tale of love, grief, and terrible loss, set in a tiny Irish village in the early 19th century . . . filled with descriptions of ritual and rhythm * Canberra Times *
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