The Florentine Academy and the Early Modern State: The Discipline of Disegno (Hardback)
  • The Florentine Academy and the Early Modern State: The Discipline of Disegno (Hardback)
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The Florentine Academy and the Early Modern State: The Discipline of Disegno (Hardback)

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£60.00
Hardback 384 Pages / Published: 11/09/2000
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This title examines the academic, confraternal, and guild practices of artists in Florence over a period of two hundred years, from the mid-sixteenth to the mid-eighteenth century. Based on archival sources, many of which are published here for the first time, it provides a detailed study of the pedagogy in the institution's school, and also focuses on the public dimension of artists' lives - the performance of corporate charity, devotion, and juridical authority, as well as academic exercises, intellectual exchange, and the development of fora within which dilettantes could display their wealth and demonstrate their erudition. Covering the history of the Academy under Medici rule, and examining production, reception and patronage associated with the concept disegno, this study links changes in artistic practice to shifts in the political fortunes of the Tuscan Grand Dukes.

Publisher: Cambridge University Press
ISBN: 9780521641623
Number of pages: 384
Weight: 790 g
Dimensions: 242 x 162 x 25 mm


MEDIA REVIEWS
"The conceptual aim of The Florentine Academy is grand, and Karen-edis Barzman goes far toward achieving it...Barzman has provided an excellently organized and written, highly-illuminating study of the Florentine Accademia di Disegno - one that both details the fullness of its internal organization and reveals, within some limits, how it actually functioned in early modern Florentine society." Italian Politics and Society
"[Barzman] enlarges our understanding of innumerable historic and conceptual matters of great interest and importance. Her study is rooted in Florentine archival documents, many of which are used here for the first time...This book is a serious contribution to the field of early modern art history. It fills grievous and long-standing lacunae and opens many avenues for further exploration. It deserves to be widely read." CAA Reviews

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