The Content of Our Caricature: African American Comic Art and Political Belonging - Postmillennial Pop (Paperback)Rebecca Wanzo (author)
- Coming soon
Traces the history of racial caricature and the ways that Black cartoonists have turned this visual grammar on its head
Revealing the long aesthetic tradition of African American cartoonists who have made use of racist caricature as a black diasporic art practice, Rebecca Wanzo demonstrates how these artists have resisted histories of visual imperialism and their legacies. Moving beyond binaries of positive and negative representation, many black cartoonists have used caricatures to criticize constructions of ideal citizenship in the United States, as well as the alienation of African Americans from such imaginaries. The Content of Our Caricature urges readers to recognize how the wide circulation of comic and cartoon art contributes to a common language of both national belonging and exclusion in the United States.
Historically, white artists have rendered white caricatures as virtuous representations of American identity, while their caricatures of African Americans are excluded from these kinds of idealized discourses. Employing a rich illustration program of color and black-and-white reproductions, Wanzo explores the works of artists such as Sam Milai, Larry Fuller, Richard "Grass" Green, Brumsic Brandon Jr., Jennifer Crute, Aaron McGruder, Kyle Baker, Ollie Harrington, and George Herriman, all of whom negotiate and navigate this troublesome history of caricature. The Content of Our Caricature arrives at a gateway to understanding how a visual grammar of citizenship, and hence American identity itself, has been constructed.
Publisher: New York University Press
Number of pages: 256
Dimensions: 254 x 178 mm
A singular achievement. Rebecca Wanzo gives shape to new and necessary ways of understanding the development of comic art in the United States that also resonate with broader conversations about blackness and visual narrative. Her study delves into the ambivalent expressions of citizenship, identity, and power that are central to how cartoonists picture race. Along the way, Wanzo bridges aesthetics and cultural theory through expert readings of editorial comics and newspaper strips, superhero serials, underground comix, historical graphic novels, and more. -- Qiana Whitted, co-editor of Comics and the U.S. South
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