The Composer as Intellectual: Music and Ideology in France 1914-1940 (Paperback)
  • The Composer as Intellectual: Music and Ideology in France 1914-1940 (Paperback)
zoom

The Composer as Intellectual: Music and Ideology in France 1914-1940 (Paperback)

(author)
£31.49
Paperback 488 Pages / Published: 20/03/2008
  • We can order this

Usually dispatched within 3 weeks

  • This item has been added to your basket
In The Composer as Intellectual, musicologist Jane Fulcher reveals the extent to which leading French composers between the world wars were not only aware of, but engaged intellectually and creatively with the central political and ideological issues of the period. Employing recent sociological and historical insights, she demonstrates the extent to which composers, particularly those in Paris since the Dreyfus Affair, considered themselves and were considered to be intellectuals, and interacted closely with intellectuals in other fields. Their consciousness raised by the First World War and the xenophobic nationalism of official culture, some joined parties or movements, allying themselves with and propagating different sets of cultural and political-social goals. Fulcher shows how these composers furthered their ideals through the specific language and means of their art, rejecting the dominant cultural exclusions or constraints of conservative postwar institutions and creatively translating their cultural values into terms of form and style. This was not only the case with Debussy in wartime, but with Ravel in the twenties, when he became a socialist and unequivocally rejected a narrow, exclusionary nationalism. It was also the case with the group called "Les Six," who responded culturally in the twenties and then politically in the thirties, when most of them supported the programs of the Popular Front. Others could not be enthusiastic about the latter and, largely excluded from official culture, sought out other more compatible movements or returned to the Catholic Church. Like other French Catholics, they faced the crisis of Catholicism in the thirties when the church not only supported Franco, but Mussolini's imperialistic aggression in Ethiopia. While Poulenc embraced traditional Catholicism, Messiaen turned to more progressive Catholic movements that embraced modern art and insisted that religion must cross national and racial boundaries. Fulcher demonstrates how closely music had become a field of clashing ideologies in this period. She shows also how certain French composers responded, and how their responses influenced specific aspects of their professional and stylistic development. She thus argues that, from this perspective, we can not only better understand specific aspects of the stylistic evolution of these composers, but also perceive the role that their art played in the ideological battles and in heightening cultural-political awareness of their time.

Publisher: Oxford University Press Inc
ISBN: 9780195342963
Number of pages: 488
Weight: 691 g
Dimensions: 234 x 156 x 25 mm

You may also be interested in...

To Throw Away Unopened
Added to basket
A Better Me
Added to basket
£20.00
Hardback
Tchaikovsky
Added to basket
£25.00   £20.00
Hardback
Heavy Duty
Added to basket
£20.00   £16.99
Hardback
Morrissey
Added to basket
£30.00
Hardback
David Bowie
Added to basket
£9.99
Paperback
Let The Good Times Roll
Added to basket
£20.00   £16.00
Hardback
BBC Proms 2018
Added to basket
£7.00
Paperback
Roger Daltrey: Thanks a lot Mr Kibblewhite
Added to basket
Beastie Boys Book
Added to basket
£32.00   £26.99
Hardback
My Thoughts Exactly
Added to basket
£20.00   £14.00
Hardback
Uncommon People
Added to basket
£9.99   £7.99
Paperback
1971 - Never a Dull Moment
Added to basket
M Train
Added to basket
£9.99   £7.99
Paperback
One Hundred Lyrics and a Poem
Added to basket

Reviews

Please sign in to write a review

Your review has been submitted successfully.