Brussels. A hive of tragic heroes, manipulative losers, involuntary accomplices. No wonder the European Commission is keen to improve its image.
The fiftieth anniversary of the European Commission approaches, and the Directorate-General for Culture is tasked with organising an appropriate celebration. When Fenia Xenopoulou's assistant comes up with a plan to put Auschwitz at the very centre of the jubilee, she is delighted. But she has neglected to take the other E.U. institutions into account.
Meanwhile the city is on the lookout for a runaway pig. And what about the farmers who take to the streets to protest against restrictions blocking the export of pigs to China?
The Capital is a brilliantly entertaining satire, a crime story, a comedy of manners . . . and a wild pig chase. It tells the tale of a continent, a city and its inhabitants as they navigate their way through the confusing tangle of 21st-century life.
Translated from the German by Jamie Bulloch
Publisher: Quercus Publishing
Number of pages: 432
Weight: 526 g
Dimensions: 217 x 164 x 35 mm
A traditional novel, broadshouldered, omniscient, almost Balzac-ian, but with terrorism part of a plot centered
satirically around an all-too-plausible Brussels idea.
The Capital is a mischievous yet profound story about storytelling; about the art of shaping a narrative by finding resonances in the messy stuff of life . . . [An] unexpectedly delightful book about Brussels. * Economist *
Menasse has a finely tuned satirical ear that easily criss-crosses borders . . . an intelligently written, pacy novel whose wide-ranging narratives ensure the momentum never wavers . . . Robert Menasse has produced an extraordinary piece of work -- Charlie Connelly * New European *
A thoroughly entertaining fiction that serves both as a sort of campus satire and a novel of ideas . . . Menasse packs his Brussels with sharply-etched types . . . With its zest, pace and wit, Jamie Bulloch's translation serves him splendidly. -- Boyd Tonkin * Spectator *
A deliciously vicious - and timely - satire about the E.U. and the meaning of Europe today -- Frederick Studemann * Financial Times *
[An] ambitious panorama that arrives amid the throes of Brexit and the Chinese Year of the Pig. Intelligent, fun, sad, insightful - an exceptional work. * Kirkus Reviews *
An elegantly written, brilliantly constructed novel, full of discussion points and ideas -- Andreas Isenschmid * Die Zeit *
A sharply observed, witty novel, a character comedy . . . the best novel about European bureaucracy you'll read . . . a brave and funny book -- Charlie Connelly * New European Best Books of 2019 *
Rumbustious . . . deliciously witty -- Paul Connolly * Metro *
The Capital could hardly be more topical . . . It is about Europe reconnecting with its ideals via a tragic past . . . It's a smart read, unlike anything being written in Britain today. -- David Herman * Jewish Chronicle *
Robert Menasse's polyphonic EU satire juggles a multitude of wryly amusing storylines. -- Siobhan Murphy * The Times *
This is above all the polyphonic novel in excelsis . . . I want to read much more from this major European writer -- David Nice * Arts Desk *
Witty but humane. . . . The massive cast never becomes unwieldy thanks to Menasse's delightful prose. This epic, droll account of contemporary Europe will be catnip for fans of mosaic novels and comical political machinations. * Publishers Weekly (*****) *
I enjoyed The Capital so much . . . A major book about coincidences, of linked and overlapping meanings . . . This is a deeply humane novel, a novel for adults. -- Dwight Garner * The New York Times *
Menasse assembles his cast from the different member states . . . but he gives their inner lives a complexity that belies the satirical shorthand of simple labels . . . brilliantly comic . . . An important and timely book. -- Michael Cronin * Irish Times *
A gripping novel with an urgent political purpose -- Fintan O'Toole * New York Review of Books *
A brutally funny and exhaustive tableau of both a continent in translation and the organisation straining to hold it together . . . a teeming epic -- Andrew R. Chow * Time Magazine *
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