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The Cambridge Companion to Conducting - Cambridge Companions to Music (Paperback)
  • The Cambridge Companion to Conducting - Cambridge Companions to Music (Paperback)
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The Cambridge Companion to Conducting - Cambridge Companions to Music (Paperback)

(editor)
£24.99
Paperback 368 Pages / Published: 20/11/2003
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In this wide-ranging inside view of the history and practice of conducting, analysis and advice comes directly from working conductors, including Sir Charles Mackerras on opera, Bramwell Tovey on being an Artistic Director, Martyn Brabbins on modern music, Leon Botstein on programming and Vance George on choral conducting, and from those who work closely with conductors: a leading violinist describes working as a soloist with Stokowski, Ormandy and Barbirolli, while Solti and Abbado's studio producer explains orchestral recording, and one of the world's most powerful managers tells all. The book includes advice on how to conduct different types of groups (choral, opera, symphony, early music) and provides a substantial history of conducting as a study of national traditions. It is an unusually honest book about a secretive industry and managers, artistic directors, soloists, players and conductors openly discuss their different perspectives for the first time.

Publisher: Cambridge University Press
ISBN: 9780521527910
Number of pages: 368
Weight: 660 g
Dimensions: 247 x 174 x 20 mm


MEDIA REVIEWS
'... a rewarding and often revealing read ...'. Classical Music
'... this volume clearly succeeds in providing illuminating insight, practical advice and insider information that is otherwise often unavailable in academic circles. The current volume encourages conductors, and to a certain extent scholars, to seriously examine their own music philosophies and performance concepts. It offers examples of how to rethink, retool, and make responsible and informed choices about the presentation of music to a variety of listeners. Most notably, however, this collection of essays displays the fundamental impact the conducting profession has had, and continues to have, on fostering creativity and engendering social and cultural change.' Nineteenth-Century Music Review

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