The Black Country (Paperback)

This is an addictive book that deserves to be up there with the likes of Gone Girl and Girl On The Train it's as good, if not better, than both. A dark and unsettling read that leaves you feeling like a voyeur of a car crash relationship (where you wouldn't look away even if you could), I really enjoyed it - 9/10 stars

A couple whose uneasy relationship seems as unreliable as that in Gone Girl are driving home, a little the worse for drink, when they accidentally knock someone over, someone they know - but they choose to drive quickly on. The story, and their relationship, becomes increasingly bizarre ...

The Black Country is a macabre triumph, whether you read it as a horror fable about love or a meditation on the controlling character of the artist. Either way, this ambitious and memorable first novel loiters like a rotting fish left behind the fridge. I mean this in a good way. The Black Country really is something else.

Every so often a novel lands from out of nowhere and grabs you by the eyeballs. Gillian Flynn's Gone Girl was one such, but at least Flynn had some previous form. Kerry Hadley-Pryce's haunting and unnerving The Black Country is a debut of gothic ambition. The cover hints at David Lynch, and this twisted portrait of a marriage in continual breakdown, of distrust, paranoia and love turned to contempt is a little as though Gone Girl had been reimagined by Lynch.

The Black Country is an excellent book, written in an astonishing voice by a very good writer, and deserves a wide audience.