The Age of Innocence (Paperback)
  • The Age of Innocence (Paperback)
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The Age of Innocence (Paperback)

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£27.99
Paperback 480 Pages / Published: 03/04/2000
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Complementing the complete text of Wharton's landmark novel, this extensive volume also includes a wealth of contextual material. "Background Readings" explores the culture of 1870s New York, as depicted in the novel, as well as views on marriage and divorce at that time. In "Other Writings by Edith Wharton," the author discusses fiction writing, old New York, women, and her winning of the Pulitzer Prize. The "Critical Readings" section features essays on the novel from a wide variety of perspectives.

Publisher: Cengage Learning, Inc
ISBN: 9780395980798
Number of pages: 480
Weight: 484 g
Dimensions: 210 x 142 x 19 mm
Edition: International Edition


MEDIA REVIEWS
Editor's Introduction by Carol J. Singley A Note on the Text I. The Age of Innocence II. Background Readings Questions of Culture Thomas Bender, from "The Metropolitan Gentry: Culture against Politics" George Sanyayana, from "The Genteel Tradition in American Philosophy" Walt Whitman, from "Democratic Vistas" Calvin Tomkins, from "Merchants and Masterpieces: The Story of the Metropolitan Museum of Art" Ida Van Gastel, "The Location and Decoration of Houses in The Age of Innocence" Marriage and Divorce Steven Mintz and Susan Kellogg, from Domestic Revolutions J. Foote Bingham, from "For the Wedding Night" Travel and Sport Donald Ross and James J. Schramer, from the Introduction to American Travel Writers, 1850-1915 Henry James, from "Americans Abroad" Henry James, from "Newport" William J. Baker, from "The Lawn Set" III. Other Writings by Edith Wharton Writing The Age of Innocence The Ways of Old New York The Childishness of American Women "The Valley of Childish Things" Winning the Pulitizer Prize IV. Critical Readings Alan Price, from "The Composition of Edith Wharton's The Age of Innocence" Elizabeth Ammons, from "Cool Diana and the Blood-Red Muse: Edith Wharton on Innocence and Art" Judith P. Saunders, from "Becoming the Mask: Edith Wharton's Ingenues" Sandra M. Gilbert and Susan Gubar, from "Angel of Devastation: Edith Wharton on the Arts of the Enslaved" Katherine Joslin, from "The Age of Innocence and the Bohemian Peril" James W. Tuttleton, from "Edith Wharton: The Archeological Motive" Nancy Bentley, from "'Hunting for the Real': Wharton and the Science of Manners" Linda W. Wagner, from "A Note on Wharton's Use of Faust" Gary H. Lindberg, from "The Mind in Chains: Public Plots and Personal Fables" Donald Pizer, from "American Naturalism in Its 'Perfected' State: The Age of Innocence and An American Tragedy Ian Christie, from "The Scorsese Interview: On Filming The Age of Innocence" Gore Vidal, "Of Writers and Class: In Praise of Edith Wharton"

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“An excellent book”

This was my first introduction to Edith Walton's writing. She described the settings (especially dinner settings and food) in such clear detail that I could visualise them. I learned much about this age and... More

Paperback edition
Helpful? Upvote 87

“just so good!”

Would it be wrong to say that Edith Wharton's writing is like Jane Austen updated? It is for me, anyway.
If you've ever read the Luxe, it's like that, but thirty years in the past, and much more... More

Paperback edition
Helpful? Upvote 52

“The Age of Innocence”

Paperback edition
Helpful? Upvote 41

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