Staging the Amistad: Three Sierra Leonean Plays - Modern African Writing (Paperback)
  • Staging the Amistad: Three Sierra Leonean Plays - Modern African Writing (Paperback)
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Staging the Amistad: Three Sierra Leonean Plays - Modern African Writing (Paperback)

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£21.99
Paperback 232 Pages / Published: 14/05/2019
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Staging the Amistad collects in print for the first time plays about the Amistad slave revolt by three of Sierra Leone's most influential playwrights of the latter decades of the twentieth century: Charlie Haffner, Yulisa Amadu "Pat" Maddy, and Raymond de'Souza-George. Until the late 1980s, when the first of these plays was performed, the 1839 shipboard slave rebellion and the return of its victors to their homes in what is modern-day Sierra Leone had been an unrecognized chapter in the country's history.

The plays recast the tale of heroism, survival, and resistance to tyranny as a distinctly Sierra Leonean story, emphasizing the agency of its African protagonists. For this reason, Haffner, Maddy, and de'Souza-George counterbalance the better known American representations of the rebellion, which center American characters and American political and cultural concerns.

The first public performances of these plays constituted a watershed moment. Written and staged immediately before and after the start of Sierra Leone's decade-long conflict, they brought the Amistad rebellion to public consciousness. Furthermore, their turn to a uniquely Sierra Leonean history of heroic resistance to tyranny highlights the persistent faith in nation-state nationalism and the dreams of decolonization.

Publisher: Ohio University Press
ISBN: 9780821423615
Number of pages: 232
Dimensions: 216 x 140 mm


MEDIA REVIEWS
"Staging the Amistad adds intellectual power and freshness to the brilliant and interesting fiction coming out of Sierra Leone. Christensen handles complex, nuanced, and racially and ethnically charged subjects with care." -- Abioseh Porter, Drexel University
"Collectively, these plays work to reinstate the rebel leader Sengbe Pieh as an historical hero, and in doing so, they redress cultural amnesia about this astonishing historical triumph. Christensen's immensely valuable introduction contextualizes the three scripts, particularly in terms of how the playwrights all find in this particular historical episode new angles for scrutinizing their postcolonial nation, with an eye to moving into the future." -- Esther de Bruijn, University of Lethbridge

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