Spectral Dickens: The Uncanny Forms of Novelistic Characterization - Interventions: Rethinking the Nineteenth Century (Hardback)
  • Spectral Dickens: The Uncanny Forms of Novelistic Characterization - Interventions: Rethinking the Nineteenth Century (Hardback)
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Spectral Dickens: The Uncanny Forms of Novelistic Characterization - Interventions: Rethinking the Nineteenth Century (Hardback)

(author)
£85.00
Hardback 256 Pages
Published: 02/02/2021
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Drawing on the recent ontological turn in critical theory, Spectral Dickens explores an aspect of literary character that is neither real nor fictional, but spectral. This work thus provides an in-depth study of the inimitable characters populating Dickens’ illustrated novels using three hauntological concepts: the Freudian uncanny, Derridean spectrality, and the Lacanian real. Thus, while the current discourse on character studies, which revolves around values like realism, depth, and lifelikeness, tends to see characters as mimetic of persons, this book invents new critical concepts to account for non-mimetic forms of characterization. These spectral forms bring to light the important influence of developments in nineteenth-century visual culture, such as the lithography and caricature of Daumier and J.J. Grandville. The spectrality of novelistic characters developed here paves the way for a new understanding of fictional characters in general.

Publisher: Manchester University Press
ISBN: 9781526147936
Number of pages: 256
Dimensions: 216 x 138 x 16 mm


MEDIA REVIEWS

'Drawing on graphic traditions of the era, the author describes how Dickens developed objects like dolls and effigies to reinforce meanings beyond the literal. Bove is interested in visual and narrative techniques that move beyond the limits of mimesis.'CHOICE(Reprinted with permission from Choice Reviews. All rights reserved. Copyright by the American Library Association.)Spectral Dickens will be of immense interest to those seeking to understand Dickens's enduring appeal for readers and critics alike, especially those with an interest in psychoanalysis and the literary critical paradigms it can enable.' The Dickensian - .

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