Snake Ropes (Paperback)Jess Richards (author)
- In stock online
SHORTLISTED FOR THE 2012 COSTA FIRST NOVEL AWARD
Jess Richards' stunning debut will show you crows who become statues and sisters who get tangled in each other's hair, keys that talk and ghosts who demand to be buried. She combines a page-turning narrative and a startlingly original voice with the creation and subversion of myths.
ON AN ISLAND OFF
THE EDGE OF THE MAP,
BOYS ARE DISAPPEARING
The day the tall men come from the mainland to trade, Mary's little brother goes missing.
She needs to find him. She needs to know a secret that no-one else can tell her.
Publisher: Hodder & Stoughton General Division
Number of pages: 352
Weight: 242 g
Dimensions: 197 x 131 x 22 mm
Visceral, evocative . . . haunted by the influence of Angela Carter and Margaret Atwood. * Observer *
A terrific story, quirky and wildly original. * Joanne Harris *
Richards handles her ambitions with aplomb. SNAKE ROPES is partly an extended meditation on trauma and healing, and the trauma is handled so well that the reader is exactly as upset as she needs to be to follow through . . . SNAKE ROPES reminds us that the act of storytelling is in itself a form of resolution. * Guardian *
Richards skilfully alternates between Mary and Morgan and their stories, touching on themes such as the transmission of folk wisdom, the creation of myths and violence against women. * Financial Times *
From the islanders' subtle creole to their myths of sea and sky and earth, Jess Richards has nurtured a remarkable community, their home glimpsed in the sea-mist like a new Avalon. Angela Carter or Laura Esquivel would have been proud of this. * We Love This Book *
A mystical book where a harsh self-sufficient lifestyle meets myths, legends and magic . . . an unusual, haunting debut novel. * thebookbag.co.uk *
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There's something very Margaret Atwood-y about Snake Ropes. The location and setting are both disticntingly 'other', and remain so. Not a lot is spelled out for the reader but it really doesn't... More
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