Sing Me Down from the Dark - Salt Modern Poets (Paperback)

t would be a mistake to read these poems as simply some form of confessional autobiography, this is so much more – there is a depth and honesty in the descriptions of behaviours and emotions which speaks far beyond the personal, immersing the reader in the complex and intimate confusions that are at the core of relationships. This is a collection which uses a well-crafted variety of forms, from Ghazal to prose poem, exposing the raw edges of social and cultural expectations of women within marriage and wider social settings. - Roger Bloor, The Alchemy Spoon

East and the West clash and merge in Alexandra Corrin-Tachibana’s debut collection. Japanese and European cultures criss-cross and interweave in family relationships, love, sex and food. Identity is in flux in a reality that is often blurred and uncertain. Rituals rule but are often ambiguous and confusing. The protagonist retraces ten years of her life in Japan, her marriage and the birth of her son. The memories are experienced at the threshold of two languages, moving from English to Japanese with the aid of translations. It is a cultural and physical movement from one place to the other that conveys a sense of displacement. - Carla Scarano D’Antonio, The High Window

Alexandra Corrin-Tachibana’s debut collection Sing Me Down from the Dark recounts her personal story over a period of time that included two international marriages. The poetic style throughout the book’s six untitled sections is strongly confessional, a style that is blended successfully with strong narrative threads and plenty of formal diversity, including innovative prose poetry, a ghazal (‘Ghazal for my husband, on International Women’s Day’), and a pantoum (‘ダーリンは外国人 “My Darling is a Foreigner”’). - Tim Murphy, The Friday Poem

Family life in Japan, the unravelling of two marriages, being an outsider: Alexandra Corrin-Tachibana draws on her own life and (spoiler alert!) a new relationship as inspiration for this collection. Energetic, richly detailed and varied in form, they make an absorbing debut. Holding the poems together is the theme of ‘home’: what and where it might be. - D. A. Prince, Orbis

One key point is Corrin-Tachibana’s acute awareness of the poem as artistic artefact rather than as an object that exists purely at the service of the poet’s own self-expression and sense of self-worth. This quality lifts Sing Me Down From the Dark out from the melee of contemporary poetry. It’s written with a reader in mind – something which might be assumed, but which is often relegated by numerous contemporary poets to an afterthought. - Matthew Stewart, Wild Court