All museums are sex museums. In Sex Museums, Jennifer Tyburczy takes a hard look at the formation of Western sexuality-particularly how categories of sexual normalcy and perversity are formed-and asks what role museums have played in using display as a technique for disciplining sexuality. Most museum exhibits, she argues, assume that white, patriarchal heterosexuality and traditional structures of intimacy, gender, and race represent national sexual culture for their visitors. Sex Museums illuminates the history of such heteronormativity at most museums and proposes alternative approaches for the future of public display projects, while also offering the reader curatorial tactics-what she calls queer curatorship-for exhibiting diverse sexualities in the twenty-first century. Tyburczy shows museums to be sites of culture-war theatrics, where dramatic civic struggles over how sex relates to public space, genealogies of taste and beauty, and performances of sexual identity are staged.
Delving into the history of erotic artifacts, she analyzes how museums have historically approached the collection and display of the material culture of sex, which poses complex moral, political, and logistical dilemmas for the Western museum. Sex Museums unpacks the history of the museum and its intersections with the history of sexuality to argue that the Western museum context-from its inception to the present-marks a pivotal site in the construction of modern sexual subjectivity.
Publisher: The University of Chicago Press
Number of pages: 296
Weight: 544 g
Dimensions: 226 x 152 x 23 mm
"[This] wide-ranging book offers multiperspectival analyses of sex in museums. . . . Engaging with research across a variety of disciplines (museology, performance studies, sexuality studies, and queer theory in particular) alongside a confident autoethnographic approach, Tyburczy also deploys other strategies, such as interviews, descriptions of curatorial practice, and sections of performative writing. . . . Not only, then, is this book a vital contribution to scholarship on the censorship of sex and sexuality that has long been politically important to theatre and performance studies scholarship, but it also contributes innovative and compelling methodologies for the work of political resistance so urgently demanded by our extraordinary times."
--Theatre Journal "Susan Bennett "
"Creatively conceptualized and methodologically queer, Jennifer Tyburczy's Sex Museums: The Politics and Performance of Display is a welcome addition to a growing corpus of scholarship on museum history and the politics of exhibiting sex for leisure, entertainment, pedagogy, and activism. . . .Provocative and troubling, methodologically diverse, and deeply creative, Sex Museums is a book that successfully enacts the author's own "queer display praxis." Jennifer Tyburczy's intense engagement with a wide range of displays and exhibitions of sex holds the radical potential to disorient (and reorient) us around our own viewing practices, both inside and outside the space of the museum."--Zeb Tortorici "GLQ: A Journal of Lesbian and Gay Studies "