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Salvation in Celluloid (Hardback)
  • Salvation in Celluloid (Hardback)
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Salvation in Celluloid (Hardback)

(author)
£110.00
Hardback 208 Pages / Published: 01/08/2007
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Much work in the field of theology and film lacks a really theological focus. This book suggests a methodology based on the recognition of the imagination as the fundamental category in producing and interpreting film. The argument is presented that the imagination holds theological significance when it is conceived of in certain ways. As a result, the book adopts the 'paradigmatic imagination' (an imagination which works within the paradigms of scripture) or 'theological imagination' (one grounded in theological forms), which is both noetic (it is the image-making faculty of the mind) and almost ontological (it is that which draws human beings into the future which they are able to construct or bring into being). Once the theological (paradigmatic) imagination has been identified and justified, its insights will be applied to 'Jesus films' and 'Christ figure films' asking whether or not they provide us with valid Christological understanding. Films with redemptive or salvific themes are discussed as is the popularity of mythical stories and animation. The final chapter will make the case that the engagement of the theological imagination with film is a method in practical theology.

Publisher: Bloomsbury Publishing PLC
ISBN: 9780567032065
Number of pages: 208
Weight: 490 g
Dimensions: 234 x 156 x 14 mm


MEDIA REVIEWS
"Robert Pope, a lecturer in Practical Theology at the University of Bangor (Wales), offers a sober and intelligent account of the limits and potential of film as a theological medium...Pope's contribution is to be found in his ability to undermine overestimating the theological reach of any particular film, while pointing out theologically legitimate approaches. Could it be that religious educators/theologians have been reading too much into cinema? In what might be called a theology for the theological reading of cinematic texts, Pope has constructed a credible critique...For non-specialists, especially educators who use film frequently as a theological medium, it is a must read."
-Richard Shields, Catholic Books Review
"this is a stimulating work which takes the debate on a little, but promises more in its opening chapters than it delivers throughout"
1 July 2009 --Sanford Lakoff "Theology "

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