Reviewing the Past: The Presence of Ruins - Global Aesthetic Research (Hardback)
  • Reviewing the Past: The Presence of Ruins - Global Aesthetic Research (Hardback)
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Reviewing the Past: The Presence of Ruins - Global Aesthetic Research (Hardback)

(author)
£92.00
Hardback 274 Pages / Published: 10/03/2020
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Though constantly in decay, ruins continue to fascinate the observer. Their still-standing survival is a loud affirmation of their presence, in which we can admire the struggle against the power of Nature aesthetically manifested during the decay.

This volume takes a thematic approach to examining the aesthetics of ruins. It looks at the general aspects of architectural decay and its classical forms of admiration and then turns towards ruins from both classical and contemporary periods, from both Western and non-Western areas, and with examples from "high art" as well as popular culture. Combining the methodologies of art history, aesthetics and cultural history, this book opens up new ways of looking at the phenomenon of ruins.

Publisher: Rowman & Littlefield
ISBN: 9781786607607
Number of pages: 274
Weight: 540 g
Dimensions: 231 x 159 x 21 mm


MEDIA REVIEWS
Zoltan Somhegyi surveys ruins from across the globe, covering remnants of antiquity, contemporary urban decay, ruins pictured in artworks, and artificial ruins from eighteenth-century gardens to present-day shopping malls. His sophisticated reflections draw upon extensive research from several disciplines, providing a wonderfully readable introduction to ruin appreciation as well as an indispensable resource for scholars. -- Carolyn Korsmeyer, Professor of Philosophy, University of Buffalo
The book Reviewing the Past: The Presence of Ruins by Zoltan Somhegyi is a must-read book about a very topical subject. We live in an age of ruins. On the one hand we save, document and reconstruct with great technical and financial effort all the fragments that have been historically preserved, and on the other hand new ruins are created all around, through war and iconoclastic terror and furor. Numerous aspects of the cultural and art historical, aesthetic, political and ideological ambivalences that determine the theme of ruins are dealt with in this legible and knowledgeable work. -- Michael Diers, Professor of Art and Visual History at the University of Fine Arts Hamburg and Associate Professor of Art History at the Institute for Art and Visual History of the Humboldt University Berlin

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