Approaching commemorations as both representations of civic identity and politically consequential sites of stranger interaction, Popular Memories investigates four distinct examples of participatory commemoration: the United States Postal Service's "Celebrate the Century" stamp and education program, the September 11 Digital Archive, the first post-Katrina Carnival in New Orleans, and a traveling memorial to the human cost of the Iraq War.
Despite differences in sponsorship, genre, historical scope, and political purpose, all of these commemorations relied on voluntary participation of ordinary citizens in selecting, producing, or performing interpretations of distant or recent historical events. These collectively produced interpretations - or popular memories - in turn prompted interactions between people, inviting them to celebrate, to mourn, or to bear witness. The book's comparison of the four case studies suggests that popular memories make for stronger or weaker sites of civic engagement depending on whether or not they allow for public affirmation of the individual citizen's contribution and for experiencing alternative identities and perspectives. By systematically accounting for grassroots memory practices, consumerism, tourism, and rituals of popular identity, Haskins's study enriches our understanding of contemporary memory culture and citizenship.
Publisher: University of South Carolina Press
Number of pages: 184
Weight: 449 g
Dimensions: 229 x 152 x 14 mm
"Popular Memories provides insight into the tensions between communal acts that make public memory an ongoing project of the people, and larger forces that sometimes highjack memorializing moments in the service of state or private concerns. Through deft readings of vibrant, and sometimes problematic, invitations to memorialize, Ekaterina Haskins offers a provocative exploration of the possibilities of participatory forms of memorializing for ordinary people to engage in meaningful practices of citizenship beyond voting. At a time when public spheres appear to be either moribund or mundane, Haskins shows how significant moments and events can enlist publics at once diverse and inclusive, and capacitated to shape public memory."--Gerard A. Hauser, College Professor Emeritus of Distinction in Rhetoric, University of Colorado Boulder
You may also be interested in...
Please sign in to write a review