Publisher: Taylor & Francis Ltd
Number of pages: 280
Weight: 670 g
Dimensions: 235 x 159 x 18 mm
"The editors merit praise for their astute choices of contributors. Additionally, I note the superbly appropriate painting whose reproduction graces the book's cover. It is The Kiss of the Musefrom Paul Cezanne's early Romantic period. Portrayed is a male poet leaning back from his desk gazing upward for inspiration as a female angel stands behind and gently kisses the poet's forehead. This depiction splendidly foreshadows the rich and soul-stirring scholarship within."
- Charles G. Conway, Indepedent Scholar
"A fine collection of essays by young and established scholars, which asks some crucial questions: What is the relationship between theology and poetry? Faith and imagination? Devotion and art? It will help to open up a long-neglected, but absolutely vital field of intellectual investigation. Greatly to be welcomed."
- Angela Leighton, Trinity College, Cambridge
"For the authors in this rich volume, poetry is not merely an artful form of discourse; it exemplifies a way of thinking. Poetic imagination underlies and overlaps with the mind's quest for the metaphysical and the religious. In a mixture of theoretical considerations and case studies, these essays offer a valuable summary of the state of the question of the relation of theology and literature, and they provide enticing and often delightful insights into different styles of poetic imagination as it opens on to the transcendent."
- Richard Viladesau, Fordham University, USA
"This collection of essays has an impressive range, with contributions on Aquinas and Dante from one historical period, on Constable and Shakespeare from another, and on Eliot, Levertov, Rilke and Wallace Stevens from nearer our own times. The result might have been indigestible but in fact the work is full of rich insights, helped not least by the editors' decision to arrange the material by theme rather than chronologically, and also by commissioning two splendid introductory essays that provide the broader context for such discussions in twentieth century literary theory and theology."
- David Brown, ITIA (the Institute for Theology, Imagination and the Arts), University of St Andrews, UK
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