Obvious candidates for this category would include Townes Van Zandt, Michael Martin Murphey, Guy Clark, Steve Fromholz, Terry Allen, Kris Kristofferson, Vince Bell, and David Rodriguez. In a sense, what these songwriters were doing in small, intimate live-music venues like the Jester Lounge in Houston, the Chequered Flag in Austin, and the Rubaiyat in Dallas was similar to what Bob Dylan was doing in Greenwich Village. In the language of the times, these were "folk singers." Unlike Dylan, however, these were folk singers writing songs about their own people and their own origins and singing in their own vernacular. This music, like most great poetry, is profoundly rooted.
That rootedness, in fact, is reflected in the book's emphasis on place and the powerful ways it shaped and continues to shape the poetry and music of Texas singer-songwriters. From the coffeehouses and folk clubs where many of the "founders" got their start to the Texas-flavored festivals and concerts that nurtured both their fame and the rise of a new generation, the indelible stamp of origins is inseparable from the work of these troubadour-poets.
Publisher: Texas A & M University Press
Number of pages: 370
Weight: 612 g
Dimensions: 229 x 152 x 23 mm
"Clifford and Hillis have chosen dynamic musical artists as representative of 'ruthlessly poetic' singer-songwriters. The essays are written in a manner that is accessible to abroad audience of readers and fosters further examination of Texas singer-songwriters."--Great Plains Quarterly--Great Plains Quarterly
"...filled with thought-provoking insights"--The Midwest Book Review
--The Midwest Book Review
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