Physics Envy: American Poetry and Science in the Cold War and After (Hardback)Peter Middleton (author)
- We can order this
Publisher: The University of Chicago Press
Number of pages: 272
Weight: 594 g
Dimensions: 262 x 129 x 24 mm
"An original and valuable contribution to our understanding of the relations between poetry and the sciences in the United States during the mid-twentieth century. Especially of interest are the close readings of articles, whole issues, and advertisements from Scientific American in relation to specific poems and sequences--a fruitful approach, and, given Scientific American's success and status as the publication presenting the public face of science in North America, an excellent way to reveal the multiplicity and nuance of poetic practice in its engagement with scientific language, values, and discoveries."-- "Katy Price, author of Loving Faster Than Light: Romance and Readers in Einstein's Universe"
"Focusing mainly on Muriel Rukeyser, Charles Olson, Robert Duncan, George Oppen, Rae Armantrout, Amiri Baraka, and Jackson Mac Low, Middleton . . . examines these writers' poetry and prose to ask how their goals and aesthetics responded to the cultural primacy of the sciences, especially physics, after WW II. . . . An especially interesting chapter focuses on the magazine Scientific American, founded in 1948, aimed at both scientists and nonspecialist readers, which informed many poets. In addition to poets, Middleton considers reflections on imagination and language by scientists such as J. Robert Oppenheimer and Werner Heisenberg. . . . Recommended."-- "Choice"
"Middleton explores insightfully and sensitively how American poets from Rukeyser to Armantrout respond to poetry's de-privileging as a source of epistemological knowledge; it is genuinely exciting to see prominent scientists such as Oppenheimer and Feynman, as well as an array of mid-twentieth-century social scientists, treated as thinkers who can help us better understand Cold War-era literature. As always, Middleton is an acute analyst, writing lucidly whether treating abstruse concepts in nuclear physics or presenting the ins and outs of experimental verse. Physics Envy is a delight to read."-- "Brian M. Reed, author of Nobody's Business: Twenty-First Century Avant-Garde Poetics"
"Published at the dawn of a sea change in American politics that is currently raising justified fears of the delegitimization of both the sciences and the humanities, Physics Envy stands tall as a reminder of the ways in which scientific and artistic inquiries into the relationship between humans and the world make up the very force that articulates what could be understood as a genuinely American field."-- "British Society for Literature and Science Reviews"
"This wonderfully crafted book offers a series of incisive and persuasive readings on a broad range of literary theorists, poets, and scientists, and Middleton's sophisticated style of analysis rewards rereading. Physics Envy offers new ways in which to understand the interactions between American poets and scientific ideas and will be of real interest to scholars working in the fields of Cold War culture, literature, and science."-- "Isis"
"We know a good deal about the cold war era's investment in science, but we know less about the extent to which poets drew upon the contributions of quantum physics, cybernetics, and relativity theory in forging a new poetics. Peter Middleton makes an excellent case for the generative impact of science on open field poetics, showing how Charles Olson, Muriel Rukeyser, Robert Duncan, and others adapted (and occasionally mis-read) the work of Heisenberg, Weiner, Schroedinger and social scientists like Kurt Lewin. Physics Envy is the definitive treatment of a vital conversation between poetic theory and scientific innovation in the postwar period."-- "Michael Davidson, author of Bleed Through: New and Selected Poems"
You may also be interested in...
Would you like to proceed to the App store to download the Waterstones App?