Pedro and Ricky Come Again: Selected Writing 1988-2020 (Hardback)
  • Pedro and Ricky Come Again: Selected Writing 1988-2020 (Hardback)
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Pedro and Ricky Come Again: Selected Writing 1988-2020 (Hardback)

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£30.00
Hardback 992 Pages / Published: 18/03/2021
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'Ought to become a classic. It is an enshrinement of [Meades's] intense baroque end catholic cleverness' Roger Lewis, The Times

'There are more gems in this wonderful book than I could cram into a dozen of these columns'
Simon Heffer, Daily Telegraph

This landmark publication collects three decades of writing from one of the most original, provocative and consistently entertaining voices of our time. Anyone who cares about language and culture should have this book in their life.

Thirty years ago, Jonathan Meades published a volume of reportorial journalism, essays, criticism, squibs and fictions called Peter Knows What Dick Likes. The critic James Wood was moved to write: 'When journalism is like this, journalism and literature become one.'

Pedro and Ricky Come Again is every bit as rich and catholic as its predecessor. It is bigger, darker, funnier and just as impervious to taste and manners. It bristles with wit and pin-sharp eloquence, whether Meades is contemplating northernness in a German forest or hymning the virtues of slang.

From the indefensibility of nationalism and the ubiquitous abuse of the word 'iconic', to John Lennon's shopping lists and the wine they call Black Tower, the work assembled here demonstrates Meades's unparalleled range and erudition, with pieces on cities, artists, sex, England, France, concrete, faith, politics, food, history and much, much more.

Publisher: Unbound
ISBN: 9781783529506
Number of pages: 992
Dimensions: 240 x 159 mm


MEDIA REVIEWS
'Ought to become a classic. It is an enshrinement of [Meades's] intense baroque end catholic cleverness' Roger Lewis, The Times'There are more gems in this wonderful book than I could cram into a dozen of these columns' Simon Heffer, Daily Telegraph'Almost too heavy to hold, nothing about the book is user-friendly. But then, as Meades puts it, who wants friendliness from books or from buildings? . . . Meades has sought to make a book shaped like his beloved Blenheim Palace: brutalist, arrogant; a moving finger' Frances Wilson, TLS
'This vast compendium has something to inform, amuse, shock or repulse on nearly every page' Paul Finch, Architects' Journal

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