Publisher: Rowman & Littlefield
Number of pages: 338
Weight: 631 g
Dimensions: 237 x 159 x 30 mm
You want legendary? John C. Wilson directed the premiere production of Kiss Me, Kate, and, shortly after that, Gentlemen Prefer Blondes. Those credits alone made me jump into Wilson's memoir . . . One is privileged to read Wilson's own accounting of a career that touched all the major stars and many productions of a golden age of Broadway. . . .Most saliently, Wilson writes about the many legendary performers and productions in the first person and present tense. If Wilson's writing has a decidedly old-fashioned cast - that of a gentleman at leisure taking a calm stroll through his career - that is not criticism. Indeed, that quality is to be savored. You want a cliche? They don't make them like this anymore. * Bay Area Reporter *
It really is quite spectacular-and something that everyone who loves Broadway should read! * The Theatre Guild Newsletter *
Those of us who love musical theatre are always looking for that next amazing book that offers us a special look into the making of Broadway musicals and the exciting lives that help create them. An unlikely book has emerged that I am confident that many of you are going to want to read. . . .This book should be on your essential reading list if you are interested in hearing many an untold story about theatre past. . . .Row[m]an & Littlefield Publishers should be congratulated for their courage to bring a book of this caliber to print. . . .I found the book to be a fascinating read, augmented by some particularly wonderful, never-before-seen, pictures that will make you feel like you spending some magical, candid moments with some of the greatest stars of theatre and film past. It is worth every dime for the enjoyment you will find within its pages. * Mark Robinson Writes *
John C. Wilson's Memoir of Broadway's Golden Age, is an engrossing, engaging, and entertaining journal of anecdotes by a veteran Broadway producer and director, whose relationships with the Broadway elite were unique. . . . Noel, Tallulah, Cole and Me represents a remarkable documentation of theater history that informs and entertains. * NewsNotes Dance Blog *
The previously unpublished autobiography provides a wealth of anecdotes. . . .The glamour and excitement of Broadway in its heyday comes alive in these pages. And Wilson's great nephew Jack Macauley, along with theatre historian Thomas S. Hischak, have inserted welcome commentary to put the shows and stars into context. If you're interested in this rich, colorful era of theatre history, this book is a true treasure. * Pop Culture Classics *
This is the best theatre book I have ever read-great stories about the Golden Age of Theatre! All the glorious stars from that era-such wonderful memories and in-depth looks behind the scenes. Simply amazing! -- Philip Langner, President of The Theatre Guild, Inc.
Not since Alice in Wonderland have readers been introduced to such a wacky and colorful band of characters. The fact that these are all true stories about the movers and shakers of theatre and film elevates this book to a must-read status for anyone who loves the ins and outs of the entertainment industry. -- Mark A. Robinson, author of The World of Musicals and the musical theatre blog "The Music That Makes Me Dance"
Readers of Broadway history might well remember the name John C. Wilson: longtime manager, gatekeeper and comrade of Noel Coward; producer of plays with Gertie, Kit, Tallulah and the Lunts, as well as Olivier and Gielgud; and director, within a year, of the original "Kiss Me, Kate" and "Gentlemen Prefer Blondes." Little has been known of Jack Wilson until now, with the discovery of his unpublished and forgotten 1958 autobiography, "Noel, Tallulah, Cole, and Me." Thomas Hischak has put the pages in order and filled in the gaps, resulting in an absorbing and fascinating description of thirty years of Broadway and West End history, guided by an unassuming fellow from Trenton who was thrilled and surprised to be in the center of it all. -- Steven Suskin, author of Show Tunes and The Sound of Broadway Music
In the 1930s, '40s and '50s, 'Produced by John C. Wilson' was a credit that denoted quality, star-power and theatrical innovation. His memoir is an essential document of the English-speaking theater-and highly entertaining, too. -- Richard Somerset-Ward, author of An American Theatre: The Story of Westport Country Playhouse
John Wilson's memoir is a fascinating, revealing, and engagingly-written account of his work with almost every prominent figure in twentieth-century theater-from Marlon Brando, Carol Channing, and Noel Coward, through Greta Garbo, Laurence Olivier, and Cole Porter, to Gloria Swanson, Tennessee Williams, and Florenz Ziegfeld-all of it adroitly edited and contextualized for contemporary readers by Thomas S. Hischack and Jack Macauley. -- Philip Furia, author of The Poets of Tin Pan Alley: A History of America's Great Lyricists
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