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Music behind Barbed Wire: A Diary of Summer 1940 (Hardback)
  • Music behind Barbed Wire: A Diary of Summer 1940 (Hardback)
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Music behind Barbed Wire: A Diary of Summer 1940 (Hardback)

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£29.95
Hardback 244 Pages / Published: 26/08/2015
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The Austrian composer Hans Gal (1890-1987) was one of many Jewish refugees who fled to Britain from Hitler's Third Reich only to find themselves interned in prison camps in Britain as 'enemy aliens' - the result of Churchill's panic decision to 'collar the lot'. Gal thus spent five months over the summer of 1940 in internment camps - first in Donaldson's Hospital in Edinburgh, then at Huyton, near Liverpool, and finally in the Central Promenade Camp on the Isle of Man. Many of Gal's fellow internees went on, like Gal himself, to become shaping forces in the intellectual life of Britain - but in captivity this colourful parade of characters had to put up with bureaucratic inertia and the indifference of their captors to their undeserved fate. The diary Gal kept during his captivity vividly describes the difficulties the internees had to overcome to live as normal a life as possible. Gal's contribution, of course, was music, and the CD with this book presents first recordings of the Huyton Suite he wrote for two violins and flute (the only instruments available to him), the satirical review What a Life! composed on the Isle of Man and the piano suite he drew from it. Introductory chapters by Gal's daughter and by Richard Dove present a biographical survey of Gal's life and career and an examination of British internment policy; the Foreword is by the distinguished economist Sir Alan Peacock, who studied composition with Gal. Together they throw light on one of the more shameful British responses to the threat of Nazi invasion.

Publisher: Toccata Press
ISBN: 9780907689751
Number of pages: 244
Weight: 616 g
Dimensions: 234 x 156 x 27 mm


MEDIA REVIEWS
Readable, often witty and informative. This book is completely successful in providing a significant introduction to a remarkable, but largely forgotten and ignored composer...an important addition to the music enthusiast's library. SPIRITED Biographies have appeared over the years and performances help to focus what this new book's blurb correctly calls the "distinctive voice" of a "master craftsman," here illustrated with a CD of strikingly graceful music. . . . The diary is fascinating, detailed, informative and indeed unique. MUSICAL TIMES This is an important resource for musicians and historians [...] it is a welcome addition to the life and work of Hans Gal, who is finally being recovered as a lost master of the twentieth century. TLS Hopefully, this volume will inspire someone to undertake a much needed full-length biographical study of an underrated composer. [Five Stars] BBC MUSIC MAGAZINE [An] invaluable book ... A mine of information throughout, the core of the book is Gal's diary, written in a lively and eminently readable style. GRAMOPHONE [Hans Gal's] diary is typically insightful, witty and richly detailed, written in a vivid and engaging style that translates well and grips the reader ... Eva Fox-Gal provides an excellent biographical essay of her father's life ... An essential volume on this fascinating composer, and actually the first to appear in English. Unreservedly recommended. [Five Stars] CLASSICAL MUSIC A mine of information throughout, the core of the book is Gal's diary, written in a lively and eminently readable style. He emerges as a likeable and immensely capable character, aware of his own mettle yet wearing it lightly, and quite free from the pretensions of grandeur. GRAMOPHONE "This remarkable book presents a fine translation of the diary kept by Austrian composer Hans Gal during his internment in the summer of 1940, after he had fled Nazi-occupied Europe with his family. . . . His diary is typically insightful, witty and richly detailed, written in a vivid and engaging style that translates well and grips the reader. [. . . ] one of the joys of this book is a free accompanying CD which presents fine recording of the works he created. . . . This is music of such optimism and invention, that it is scarcely credible it was created under such duress. It deserves wider currency. [. . . ] Unreservedly recommended. --Brendan G Carroll, Classical Music Magazine

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