Life without End: A Thought Experiment in Literature from Swift to Houellebecq (Hardback)Karl S. Guthke (author)
Hardback 222 Pages / Published: 01/10/2017
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The idea of earthly immortality has a tradition in literature dating to the Gilgamesh epic. But what would it mean to attain such immortality? Answers are suggested in novels and plays that explore the theme using varieties of Borges's "rational imagination," often in connection with projections of biology or cybernetics. In this groundbreaking study, Karl S. Guthke examines key works in this vein, throwing into relief fascinating instances of human self-awareness across the last three hundred years. Authors discussed in detail include J. M. Barrie, Calvino, Shaw, Adolfo Bioy Casares, Swift, Aldous Huxley, Walter Besant, Arthur C. Clarke, Wilde, Borges, William Godwin, P. B. and Mary Shelley, Capek, Machado de Assis, Simone de Beauvoir, Martin Amis, Dino Buzzati, Houellebecq, Iris Barry, Saramago, Rushdie, Gabi Gleichmann, and Pascal Mercier. Guthke finds that the fictional triumph over death is only rarely viewed positively, and mostly as a "curse" - for a variety of reasons. Almost always, however, literary experiments with immortality suggest an alternative: the chance to take our limited lifetime into our own hands, shaping it meaningfully and thereby experiencing "a new way of being in the world" (Mercier). The fictional immortals reject this challenge, thus depriving themselves of what makes humans human and life worth living. And what that might be is also at least hinted at in the works Guthke analyzes. As a result, an aspect of cultural history comes into view that is revealing and stimulating at a time that is, as Der Spiegel put it in 2014, "obsessed by the invention of immortality." Karl S. Guthke is the Kuno Francke Professor of Germanic Art and Culture, Emeritus, of Harvard University.
Publisher: Boydell & Brewer Ltd
Number of pages: 222
Weight: 666 g
Dimensions: 229 x 152 x 15 mm
Praise for the German edition: A book that, proceeding comparativistically in concise and close readings of relevant texts, provides proof that literature-[here] represented by important works-is not a self-referential game of signifiers, but instead consists of aesthetic structures that treat the question of how one should live. Out of the process of putting fleshly immortality to the test through counterfactual fictional thought experiments arises in the end, so says Guthke, a "Praise of Transience." -Till Kinzel, Archive for the Study of Modern Languages and Literatures
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