ISDAL (Paperback)
  • ISDAL (Paperback)
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ISDAL (Paperback)

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£12.99
Paperback 128 Pages
Published: 14/09/2023
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Waterstones Says

Taking the unsolved murder case of the 'Isdal Woman' as a jumping off point for an ingenious analysis of modern society's obsession with true crime, Dickey's debut collection carries an irresistible moral force alongside a dark wit and skein of satire.

Shortlisted for the Felix Dennis Prize for Best First Collection 2023

The much-anticipated debut poetry collection from acclaimed novelist Susannah Dickey, on the subject of our cultural obsession with true crime.

ISDAL is a timely interrogation of the true crime genre. In the first of its three parts, we follow the flirty co-presenters of a podcast about the mystery of 'Isdal Woman', whose burnt remains were discovered in Norway in 1970 and who has never been identified. At the centre of the book is a philosophical enquiry into our perennial obsession with female victims, sexiness, and death: 'The death in question has already occurred', the poet observes, 'has occurred to someone sufficiently abstract as to allow us to romp gainfully, guilelessly, guiltlessly through a simulacrum of death's corridors'. The free verse poems in the final section both explore and-perhaps inevitably-enact the ethical ambiguities of the genre. Witty, excoriating, formally ingenious, ISDAL marks the arrival of a thrilling new talent in contemporary poetry.

Publisher: Pan Macmillan
ISBN: 9781035015054
Number of pages: 128
Weight: 194 g
Dimensions: 197 x 153 x 12 mm


MEDIA REVIEWS

A poet of tremendous imaginative range, artistic vision, and accomplishment - Kayo Chingonyi, author of A Blood Condition

Susannah Dickey’s bloodthirsty for marriage made me think of Alice Notley in its urgency and playfulness. But Dickey is more surreal, more vivid; there are more dead gerbils. These are poems that scorch the earth with their originality and then write out of the ashes. - Will Harris

A rare talent, and certainly one to watch. - The Sunday Times

Using the real-life case of an unidentified woman’s body found in Norway as a jumping off point, this brilliantly realised first collection by the novelist Susannah Dickey is a multilayered investigation into the ethics of the true crime genre - The Guardian

[ISDAL pushes] the boundary of how we might think about form and genre . . . Dickey brings a singular voice and a unique complexity to her investigation - Tara Bergin, PN Review

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