Inventing Downtown: Artist-Run Galleries in New York City, 1952-1965 (Hardback)
  • Inventing Downtown: Artist-Run Galleries in New York City, 1952-1965 (Hardback)
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Inventing Downtown: Artist-Run Galleries in New York City, 1952-1965 (Hardback)

(author), (author of introduction), (author of contributions), (author of contributions)
£55.00
Hardback 288 Pages / Published: 02/01/2017
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This enlightening and thought-provoking look at New York City's postwar art scene focuses on the galleries and the artists that helped transform American art. While the achievements of New York City's most renowned postwar artists--de Kooning, Pollock, Rothko, Franz Kline-- have been studied in depth, a large cadre of lesser-known but influential artists came of age between 1952 and 1965. Also understudied are the early, experimental works by more well- known figures such as Mark di Suvero, Jim Dine, Dan Flavin, and Claes Oldenburg. Focusing on innovative artist-run galleries, this book invites readers to reevaluate the period--uncovering its diversity, creativity, and nuances, and tracing the spaces' influence during the decades that followed. Inventing Downtown charts the development of artist-run galleries in Lower Manhattan from the early 1950s to the mid-1960s, showing how the area's multicultural spirit played a major role in shaping the artworks exhibited there. The book explores 14 key spaces in which styles such as Pop, Minimalism, and performance and installation art thrived. Excerpts from 33 revealing interviews with artists, critics, and dealers, conducted by Billy KluI ver and Julie Martin, offer unique personal insight into the era's creative milieu. Taken together, the book's essays and interviews provide a distinctly new assessment of how downtown New York's fertile environment nurtured an innovative art scene.

Publisher: Prestel
ISBN: 9783791355580
Number of pages: 288
Weight: 2149 g
Dimensions: 313 x 256 x 29 mm


MEDIA REVIEWS
"Have a hefty helping--which means take some time with this show (or, if you can't make it to the Grey Gallery, the beautiful, readable catalog). It's worth it." -The Wall Street Journal "The final success of this exhibition (and the accompanying catalogue, which is a feat of rigorous scholarship) is to chart this history between Abstract Expressionism and Minimalism and Pop." -The Art Newspaper "Rachleff deserves our thanks for amassing a wide and wild range of material, from art works to documentary photographs to gallery ephemera...Driven by curiosity, this is curatorial practice at its best." -Hyperallergic "As worthy of attention as the exhibition is the substantial book Rachleff has written to accompany it, which provides a comprehensive and in-depth essay on the history of these galleries, and which is a far cry from the standard exhibition catalogs being produced by many museums these days, whose physical heft belies the fact that their texts consist of bundled short articles. (MoMA, I'm looking at you.) Both the book and the densely hung rooms at the Grey, which are full of paintings, sculptures, and drawings by artists who exhibited in these improvised galleries, offer a useful corrective to the oversimplified art-historical narratives on which we all too often rely unthinkingly." -The Nation "Inventing Downtown, tells the story of that lost chapter, the upstart gallery scene that flourished for more than a decade in the East Village, bequeathing a body of work that considerably scrambles not only the map but also the lock-step narrative of 20th-century art movements." -The New York Times "It's moving, really, to see virtually all the contemporary art modes that would become mainstream by the mid-nineteen-sixties being adumbrated in these tiny gallery spaces ten years earlier: Pop, Minimalism, performance, Conceptual art, poster art, political art, found art. And that art, the art of the mid-sixties, is basically the ground from which contemporary art still grows." -The New Yorker "Melissa Rachleff, the show's curator and author of its exceptional catalog, gives us a rare presentation of the robust roots of art-making, rather than only the flowers." -The New York Review of Books

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