Starting with Dostoevsky's Double: Bakhtin and Nabokov as Intertextualists, by John Burt Foster, Jr. A Character's Indictment of Authorial Subterfuge: The Parody of Texts in Roberto G. Fernandez's Fiction, by Jorge Febles Federated Fancies: Balzac's Lost Illusions and Melville's Pierre, by Benjamin Sherwood Lawson Texts Engendering Texts: A Quebecois Rewriting of American Novels, by Anne Marie Miraglia Silone's "Moses" at the Bitter Fountain: Exodus as Subtext, by Marisa Gatti-Taylor Poetry and Language: Intertextuality in the Works of Jose Angel Valente, by Anita M. Hart Placing Source in Greed and McTeague, by Mary Lawlor Desica's Bicycle Thieves and the Attack on the Classical Hollywood Film, by Gerard Molyneaux Pictures of Pictures: Reference and Reality in Two Script Versions of Potemkin, by Bruce E. Fleming The Compound Genre Film: Billy the Kid Versus Dracula meets The Harvey Girls, by Adam Knee Emblematic Indirections: Benches by Tom Phillips, by Erdmute Wenzel White
Elaine D. Cancalon and Antoine Spacagna teach in the Department of Modern Languages at Florida State University.
Publisher: University Press of Florida ISBN: 9780813012872 Number of pages: 176 Weight: 227 g Dimensions: 204 x 136 x 17 mm
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