Instrumentalists and Renaissance Culture, 1420-1600: Players of Function and Fantasy (Paperback)
  • Instrumentalists and Renaissance Culture, 1420-1600: Players of Function and Fantasy (Paperback)
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Instrumentalists and Renaissance Culture, 1420-1600: Players of Function and Fantasy (Paperback)

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Paperback 351 Pages / Published: 24/01/2019
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This innovative and multi-layered study of the music and culture of Renaissance instrumentalists spans the early institutionalization of instrumental music from c.1420 to the rise of the basso continuo and newer roles for instrumentalists around 1600. Employing a broad cultural narrative interwoven with detailed case studies, close readings of eighteen essential musical sources, and analysis of musical images, Victor Coelho and Keith Polk show that instrumental music formed a vital and dynamic element in the artistic landscape, from rote function to creative fantasy. Instrumentalists occupied a central role in courtly ceremonies and private social rituals during the Renaissance, and banquets, dances, processions, religious celebrations and weddings all required their participation, regardless of social class. Instrumental genres were highly diverse artistic creations, from polyphonic repertories revealing knowledge of notated styles, to improvisation and flexible practices. Understanding the contributions of instrumentalists is essential for any accurate assessment of Renaissance culture.

Publisher: Cambridge University Press
ISBN: 9781316509203
Number of pages: 351


MEDIA REVIEWS
'... a rich and variegated picture of how instrumentalists created, functioned, and lived. Specific case studies of individual Renaissance instrumentalists and events serve to illustrate trends in instrumental practice during the long Renaissance.' Michael Eisenberg, Notes
'... a rich and variegated picture of how instrumentalists created, functioned, and lived. Specific case studies of individual Renaissance instrumentalists and events serve to illustrate trends in instrumental practice during the long Renaissance.' Michael Eisenberg, Notes

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