Inhuman Citizenship: Traumatic Enjoyment and Asian American Literature (Hardback)Juliana Chang (author)
Hardback 248 Pages / Published: 16/10/2012
- Publisher out of stock
In Inhuman Citizenship, Juliana Chang claims that literary representations of Asian American domesticity may be understood as symptoms of America\u2019s relationship to its national fantasies and to the \u201cjouissance\u201d-a Lacanian term signifying a violent yet euphoric shattering of the self-that both overhangs and underlies those fantasies. In the national imaginary, according to Chang, racial subjects are often perceived as the source of jouissance, which they supposedly embody through their excesses of violence, sexuality, anger, and ecstasy-excesses that threaten to overwhelm the social order.To examine her argument that racism ascribes too much, rather than a lack of, humanity, Chang analyzes domestic accounts by Asian American writers, including Fae Myenne Ng\u2019s Bone, Brian Ascalon Roley\u2019s American Son, Chang-rae Lee\u2019s Native Speaker, and Suki Kim\u2019s The Interpreter. Employing careful reading and Lacanian psychoanalysis, Chang finds sites of excess and shock: they are not just narratives of trauma; they produce trauma as well. They render Asian Americans as not only the objects but also the vehicles and agents of inhuman suffering. And, claims Chang, these novels disturb yet strangely exhilarate the reader through characters who are objects of racism and yet inhumanly enjoy their suffering and the suffering of others.Through a detailed investigation of \u201cfamily business\u201d in works of Asian American life, Chang shows that by identifying with the nation\u2019s psychic disturbance, Asian American characters ethically assume responsibility for a national unconscious that is all too often disclaimed.
Publisher: University of Minnesota Press
Number of pages: 248
Dimensions: 216 x 140 x 20 mm
""Inhuman Citizenship" has much to offer; it will make important interventions in our current understanding of the position of Asian American literature within larger canons of American literary studies. There is much to be admired here." Karen Shimakawa, author of "National Abjection: The Asian American Body Onstage"
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