Illusion is More Precise Than Precision: Poetry of Marianne Moore (Hardback)
  • Illusion is More Precise Than Precision: Poetry of Marianne Moore (Hardback)
zoom

Illusion is More Precise Than Precision: Poetry of Marianne Moore (Hardback)

(author)
£48.50
Hardback 272 Pages / Published: 31/07/1992
  • We can order this

Usually dispatched within 3 weeks

  • This item has been added to your basket
In 1935, T.S. Eliot wrote that Marianne Moore's poems ""form part of the small body of durable poetry written in our time"". In this comprehensive critical study of the American poet Marianne Moore (1887-1972) and her work, Erickson sets out to justify Eliot's praise, demonstrating the poet's ability to combine close observation with a worldview presentation that is at once intuitive, kaleidoscopic and optimistic. Unfortunately, over the years the excellence and originality of Moore's work has been overshadowed by its apparent inscrutability. Erickson examines the work of Marianne Moore in order to provide some consistently successful strategies for understanding her poetry. The thesis is centered in a line from Moore's poem, ""Armor's Undermining Modesty"": ""What is more precise that precision? Illusion"". Erickson argues that Moore came to see herself humorously as ""Imagnifico, a Wizard in Words"", a magician who used her conjuries to express a truth beyond reason, a truth described by the philosopher Henri Bergson as intuition, the highest stage of the evolution of human understanding. It is Erickson's contention that Moore's sense of magic is inextricably bound up in her own uniquely feminine epistomology, the tendency to place great value on intuition and to find one's own voice among collections of many voices. ""lllusion is More Precise Than Precision"" demonstrates that Moore's voice is arguably the strongest female voice in 20th-century American literature and that Moore's poetic voice could hold its own in the company of the best of the other modernists. Unlike many current scholars, Erickson examines closely the texts of Moore's poems themselves, allowing the poet's own voice to speak clearly. The study explores Moore's obsession with time, her preoccupation with the visual, her interest in the forms of Hebrew verse and her ""susceptibility to happiness"", an outlook at some odds with the 20th-century's fascination with the ""romance of failure"".

Publisher: The University of Alabama Press
ISBN: 9780817305703
Number of pages: 272
Dimensions: 230 x 157 x 25 mm

You may also be interested in...

The Terrible
Added to basket
£9.99
Paperback
Letters of Sylvia Plath Volume II
Added to basket
Collected Poems
Added to basket
£17.99
Paperback
Selected Poems of Sylvia Plath
Added to basket
Goodbye to All That
Added to basket
In Byron's Wake
Added to basket
£25.00   £21.99
Hardback
The People's Favourite Poems
Added to basket
Haunted by Christ
Added to basket
Six Poets: Hardy to Larkin
Added to basket
£8.99   £6.99
Paperback
Aeneid
Added to basket
£8.99
Paperback
Beowulf
Added to basket
£8.99
Paperback
Why Dylan Matters
Added to basket
Birthday Letters
Added to basket
£12.99
Paperback
The Odyssey
Added to basket
£14.99
Paperback

Reviews

Please sign in to write a review

Your review has been submitted successfully.