Highlighting the enigmatic urban artist's understanding and lampooning of art history though their parodies of Monet, Vermeer and other artists, this perceptive and insightful work places Banksy in a new and revealing context.
A new take on the history of art as parodied, reinterpreted and ultimately reinforced by the international phenomenon that is Banksy.
Few would dispute that Banksy is the most famous urban artist in the world today. That he is also one of the most perceptive art historians of our age might come as a surprise to many. Taken together, the myriad memorable works the street artist has created over the course of the past thirty years, since his emergence in the Bristol underground scene in the early 1990s, constitute an audacious commentary on the history of image-making – a captivating critique waiting to be pieced together.
Armed with little more than stencils, spray paint and an anonymizing cloak of after-hours darkness, Banksy has forged an alluring identity for himself as an incorrigible prankster who doesn’t embrace tradition, but shreds it. Consider Banksy and you think of grubby city walls far removed from elite galleries and privileged museums where art is conventionally shown. What actually illuminates Banksy’s audacious murals, impromptu urban sculptures and vandalized paintings, however, is a profound understanding of the story of art. He wields this secret knowledge like a weapon against our senses.
Through the dark satirical lens of Banksy’s mischievous reimagined masterpieces, art history is viewed afresh and brought into unexpected focus. From his droll lampooning of the Lascaux cave paintings to his reinvention of Monet’s enchanting water-lily pond, a reboot of Géricault’s tragic gut-wrenching vision to Vermeer's girl now instilled with street cred, everyone’s genius is grist for his unmerciful mill. Far from being diminished in their significance, however, the works that Banksy ruthlessly parodies are ultimately refurbished by the ordeal. Banksy’s iconoclastic works force us to rethink our affection for, and appreciation of, great works of art that define cultural history.
Publisher: Thames & Hudson Ltd
ISBN: 9780500027059
Number of pages: 208
Weight: 860 g
Dimensions: 246 x 186 mm
'Grovier’s book reframes [Banksy’s] works in a new light. Inextricably linked to Da Vinci, Monet and Van Gogh, Banksy not only makes art but reinvigorates it' - Daily Mail
'Captivating' - Publishers Weekly
'Insightful' - Kirkus Reviews
'A refreshing look at art history by showing how Banksy has plumbed its depths' - Creative Review
'Playful and provocative' - Literary Review
'This is Kelly Grovier, so pin back your shell-likes and pay attention ... Suddenly, there’s a lot more to [Banksy] than just stencils and spray cans' - Artbookreview
'By comparing Banksy’s works to those from art history, this book shines a new light on the street artist’s past projects and how much he refers to art historical masterpieces. By drawing comparisons with prehistoric cave art through to the likes of Salvador Dali and Damien Hirst, it’s a new take on Banksy' - FAD
'From his views on art and creativity to his take on digital life, this fascinating book gives an overview of the artist's thoughts and opinions' - Good Housekeeping
A well presented, deeper look into the works of Banksy. Brings together past and present allowing generations to see the connections between works that have been studied for ages and those fresh from the spray can.
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