In this exceptional book, John J. Kucich reveals through his readings of literary and historical accounts how spiritualism helped shape the terms by which Native American, European, and African cultures interacted in America from the earliest days of contact through the present. Beginning his study with a provocative juxtaposition of the Pueblo Indian Revolt and the Salem Witchcraft trials of the seventeenth century, Kucich examines how both events forged "contact zones" Kucich then chronicles how a diverse group of writers used spiritualism to reshape a range of such contact zones. These include Rochester, New York, where Harriet Jacobs adapted the spirit rappings of the Fox Sisters and the abolitionist writings of Frederick Douglass as she crafted her own story of escape from slavery; post-bellum representations of the afterlife by Elizabeth Stuart Phelps, Mark Twain and the Native Americans who developed the Ghost Dance; turn-of-the-century local color fiction by writers like Sarah Orne Jewett, Charles Chesnutt and Maria Cristina Mena; and the New England reformist circles traced in Henry James's The Bostonians and Pauline Hopkins's Of One Blood.
Kucich's conclusion looks at New Age spiritualism, then considers the implications of a cross-cultural scholarship that draws on a variety of critical methodologies, from border and ethnic studies to feminism to post-colonialism and the public sphere. This study, which brings canonical writers into conversation with lesser-known writers, is relevant to the resurgent interest in religious studies and American cultural studies in general.
Publisher: University Press of New England
Number of pages: 240
Weight: 454 g
Dimensions: 229 x 152 x 24 mm
"Kucich includes material that could prove helpful to those interested in the subject."--CHOICE
"[Ghostly Communion] takes you into the literature of 19th century America to show up the various ways that spiritualism linked and unlinked the cultures that were shaping our country in its middle-aged crises... this one is for thoughtful reading on fall/winter nights."--The Courier-Gazette