Fossil Poetry: Anglo-Saxon and Linguistic Nativism in Nineteenth-Century Poetry (Hardback)
  • Fossil Poetry: Anglo-Saxon and Linguistic Nativism in Nineteenth-Century Poetry (Hardback)
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Fossil Poetry: Anglo-Saxon and Linguistic Nativism in Nineteenth-Century Poetry (Hardback)

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Hardback 336 Pages / Published: 24/08/2018
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Fossil Poetry provides the first book-length overview of the place of Anglo-Saxon in nineteenth-century poetry in English. It addresses the use and role of Anglo-Saxon as a resource by Romantic and Victorian poets in their own compositions, as well as the construction and 'invention' of Anglo-Saxon in and by nineteenth-century poetry. Fossil Poetry takes its title from a famous passage on 'early' language in the essays of Ralph Waldo Emerson, and uses the metaphor of the fossil to contextualize poetic Anglo-Saxonism within the developments that had been taking place in the fields of geology, palaeontology, and the evolutionary life sciences since James Hutton's apprehension of 'deep time' in his 1788 Theory of the Earth. Fossil Poetry argues that two, roughly consecutive phases of poetic Anglo-Saxonism took place over the course of the nineteenth century: firstly, a phase of 'constant roots' whereby Anglo-Saxon is constructed to resemble, and so to legitimize a tradition of English Romanticism conceived as essential and unchanging; secondly, a phase in which the strangeness of many of the 'extinct' philological forms of early English is acknowledged, and becomes concurrent with a desire to recover and recuperate the fossils of Anglo-Saxon within contemporary English poetry. The volume advances new readings of work by a variety of poets including Walter Scott, Henry Longfellow, William Wordsworth, William Barnes, Walt Whitman, Ralph Waldo Emerson, William Morris, Alfred Tennyson, and Gerard Hopkins.

Publisher: Oxford University Press
ISBN: 9780198824527
Number of pages: 336
Weight: 662 g
Dimensions: 242 x 163 x 27 mm


MEDIA REVIEWS
Fossil Poetry is an enlightening account of disciplinary formation, reminding present-day researchers of the postmedieval historicity of our objects of study. Jones brings out beautifully "the inventedness of the past". [...] Nineteenth-century specialists will have to heed this book, because Jones knows things they do not know. * Eric Weiskott, The Medieval Review *
Fossil Poetry displays exemplary close reading and a skilful command of rhetorical, metrical, and philological analysis. . . . In addition to rigorous and original scholarship, this book has pressing significance: as Jones writes, 'Investigating the Anglo-Saxon poetries produced by the nineteenth century ought to help us reflect on what kind of Old English poetry we are manufacturing in our own moment, as well as on what kind of Englishnesses' (p. 33). If 'the past is provisional, ongoing, and retold in the light of contemporary concerns' (p. 272) then we have cause to be grateful for any account of it that is as subtly perceptive, deeply learned, and consistently generous as this book. * Carl Phelpstead, Cardiff University, The Review of English Studies *

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