Experiencing Art: In the Brain of the Beholder (Hardback)
  • Experiencing Art: In the Brain of the Beholder (Hardback)
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Experiencing Art: In the Brain of the Beholder (Hardback)

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£74.00
Hardback 312 Pages
Published: 08/08/2013
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How do we appreciate a work of art? Why do we like some artworks but not others? Is there no accounting for taste? Awarded a Guggenheim Fellowship to explore connections between art, mind, and brain, Shimamura considers how we experience art. In a thoughtful and entertaining manner, the book explores how the brain interprets art by engaging our sensations, thoughts, and emotions. It describes interesting findings from psychological and brain sciences as a way to understand our aesthetic response to art.

Beauty, disgust, surprise, anger, sadness, horror, and a myriad of other emotions can occur as we experience art. Some artworks may generate such feelings rather quickly, while others depend on thought and knowledge. Our response to art depends largely on what we know--from everyday knowledge about the world, from our cultural backgrounds, and from personal experience. Filled with artworks from many traditions and time points, "Experiencing Art" offers insightful ways of broadening one's approach and appreciation of art.

Publisher: Oxford University Press Inc
ISBN: 9780199936939
Number of pages: 312
Weight: 930 g
Dimensions: 183 x 254 x 23 mm


MEDIA REVIEWS

A user-friendly introduction to the mainstream contemporary psychology of art. - Aaron Kozbelt, Evolutionary Studies in Imaginative Culture

Shimamuras book is a must read for anyone with an interest in art and cognition. He deftly weaves important findings in these two fields together and integrates them in a way that hasnt been done yet so systematically. It is clearly written without technical jargon and can easily be enjoyed by those with or without a scientific background. - Jay Friedenberg, PsychCritiques

His writing style is engaging so as to be uncritically absorbed by the nonspecialist. ... you will enjoy the eclecticism. - Arnold Wilkins, Perception

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