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Double Diaspora in Sephardic Literature: Jewish Cultural Production Before and After 1492 - Indiana Series in Sephardi and Mizrahi Studies (Hardback)
  • Double Diaspora in Sephardic Literature: Jewish Cultural Production Before and After 1492 - Indiana Series in Sephardi and Mizrahi Studies (Hardback)
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Double Diaspora in Sephardic Literature: Jewish Cultural Production Before and After 1492 - Indiana Series in Sephardi and Mizrahi Studies (Hardback)

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£34.00
Hardback 316 Pages / Published: 11/05/2015
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The year 1492 has long divided the study of Sephardic culture into two distinct periods, before and after the expulsion of Jews from Spain. David A. Wacks examines the works of Sephardic writers from the 13th to the 16th centuries and shows that this literature was shaped by two interwoven experiences of diaspora: first from the Biblical homeland Zion and later from the ancestral hostland, Sefarad. Jewish in Spain and Spanish abroad, these writers negotiated Jewish, Spanish, and diasporic idioms to produce a uniquely Sephardic perspective. Wacks brings Diaspora Studies into dialogue with medieval and early modern Sephardic literature for the first time.

Publisher: Indiana University Press
ISBN: 9780253015723
Number of pages: 316
Weight: 36 g
Dimensions: 229 x 152 x 22 mm


MEDIA REVIEWS
Double Diaspora will enrich the multiple fields it participates in--medieval and romance studies, Sephardic history, Hebrew literature, and many more. * AJS Review *
Wacks's book uncovers the experience and enriches the academic field of Hebrew and Romance literary studies by opening up a whole new set of questions and by suggesting new approaches to the study of Jewish cultural heritage, which, as Wacks makes clear, should always take into account the surrounding non-Jewish intellectual context. * La coronica *
Wacks makes a crucial first foray toward a more nuanced critical understanding of the literary world of Spanish Jewry. His attempts to renegotiate the boundaries of the canon and extend Iberian literature to include non-Castilian and even non-Iberian texts raise profound questions about how Spanish literature should be studied and taught. * Hispania *

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