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Digital Practices: Aesthetic and Neuroesthetic Approaches to Performance and Technology (Hardback)
  • Digital Practices: Aesthetic and Neuroesthetic Approaches to Performance and Technology (Hardback)
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Digital Practices: Aesthetic and Neuroesthetic Approaches to Performance and Technology (Hardback)

(author)
£71.00
Hardback 220 Pages / Published: 07/07/2007
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This title offers insight into a range of art and performance practices that have emerged as a result a more technological world. These practices are integral to alternative and mainstream performance culture and the author explores their aesthetic theorisation and analyses other approaches, including those offered by research into neuroesthetics.

Publisher: Palgrave Macmillan
ISBN: 9780230553132
Number of pages: 220
Weight: 448 g
Dimensions: 216 x 140 x 17 mm


MEDIA REVIEWS

'A groundbreaking and long-lasting resource for anyone interested in the uses and influences of contemporary technologies in performance practice and beyond. It will appeal to a range of readers, from undergraduate to postgraduate students studying performance, media and cultural studies, as well both theatre professionals and academics/scholars in these fields.' - Paul Woodward, Department of Drama, St Mary's University College, Twickenham, UK

'Broadhurst demonstrates an erudite and sophisticated knowledge of...various critical theories and her arguments serve well as intriguing ways for thinking through performance and technology...Digital Practices is a fascinating and adventurous book, which combines a daunting volume of critical and scientific theory to understand a wide variety of digital performance and art production.' - Matthew Causey Contemporary Theatre Review

'...a facinating and much needed overview of current developments within the field of media and performance. Extremely well structured and presented the text articulates a remarkably clear developmental pathway...anyone interested in the uses and influences of contemporary technologies in performance practice and beyond which will appeal to a range of readers from undergraduate to postgraduate students studying performance, media and cultural studies as well as both theatre professionals and academics/scholars in these fields.' Body, Space & Technology

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